Name: Tristan und Isolde
Start: 2021-05-20T00:00:00.000Z
End: 2021-08-28T00:00:00.000Z
Location: Opera House

Admin

Organization

Cantante

Tenore

Simon O'Neill

Tristano

Soprano

Miina-Liisa Värelä

Isotta

Mezzosoprano

Karen Cargill

Brangania

Baritono

Shen Yang

Kurwenal

Basso

John Relyea

Re Marke

Neal Cooper

Melot

Stuart Jackson

Un pastore

Voce di un giovane marinaio

Direzione d'orchestra

Robin Ticciati

Regia

Nikolaus Lehnhoff

Scenografia

Roland Aeschlimann

Costumi

Andreas Schmidt-Futterer

Luci

Robin Carter

Others

The Glyndebourne Chorus

Orchestra

London Philharmonic Orchestra

Glyndebourne

Tristan und Isolde -  (Tristano e Isotta)

Regno Unito

Opera House

Ebert Room

Tristan und Isolde Wagner,Richard

Tristano e Isotta

Approvato

"You have to dive into this sound world" - Stephen Fry shares his love for  Wagner's Tristan and Isolde with Alexandra Coghlan.

A semi-staged performance of Tristan und Isolde is part of Glyndebourne Festival 2021. 

Find out more: https://www.glyndebourne.com/events/t...

Wagner’s Tristan und Isolde (1859) is arguably the most influential work not just in the history of opera but classical music. Often described as the start of modern music, it reinvented the rules of harmony, becoming a touchstone and centre of musical gravity, either drawing composers towards it in helpless imitation, or forcing them to fight to reject it. No one could be neutral in response to it.

Bound in marriage against her will, princess Isolde resolves to end her life along with that of her enemy, the knight Tristan. But when a love potion is substituted for poison, the two are drawn into an all-consuming, obsessive love affair that destroys everything – and everyone – in its unstoppable path.

For the first time here harmony and psychology are one. The whole score is a metaphor for unfulfilled desire, unfolding in a single continuous musical gesture, a ‘terrible and sweet infinity’ as Nietzsche described it. Harmonic tension established in the famous ‘Tristan Chord’ in the opera’s opening bars is never fully resolved until the end – a deferral of gratification that gives the opera its charged, uneasy sense of momentum, of desire always yearning (but never quite attaining) fulfilment.

English

Tristano e Isotta by Wagner, Richard, gio 20 mag 2021, Da (2021/2021), Diretto da Nikolaus Lehnhoff,, Direttore d'orchestra Robin Ticciati, Opera House, Glyndebourne, Regno Unito

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