Organization

Sommerfestspiele Baden-Baden

Conductor

Teodor Currentzis

Tenor

Andrew Schager

Tristan

Soprano

Brigitte Christensen

Isolde

Mezzo-soprano

Eve-Maud Hubeaux

Brangaene

Bass

Matthew Goerne

King Mark

Others

musicAeterna Choir

Orchestra

musicAeterna Orchestra

Tristan und Isolde -  (Tristan and Isolde)

Baden-Baden

Germany

Tristan und Isolde Wagner,Richard

Public

Tristan and Isolde

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Countertenor

Singer

Bass-baritone

Baritone

Contralto

Spoken

Child vocalist

Silent

Alto

Continuo

Can one begin with the fashionable appearance of a conductor? Here you should. The black that Teodor Currentzis dresses in can be traced back culturally and historically to the night, which is positively charged in “Tristan” as opposed to the day with its lies and conventions. In terms of cultural history, we have turned away from seeing and towards touching. The turning point began with Romanticism - and this is also where Teodor Currentzis' conception of art is rooted. Instead of contemplation, he seeks devotion. And because in Currentzis' case the appearance is authenticated to the highest degree by the artistic results, we too have inferred the essence from the appearance and now expect a performance that is out of this world.

English

Darf man mit der modischen Erscheinung eines Dirigenten beginnen? Hier sollte man es. Das Schwarz, in das sich Teodor Currentzis kleidet, lässt sich kulturhistorisch auf die Nacht zurückführen, die in „Tristan“ positiv aufgeladen wird, als Gegensatz zum Tag mit seinen Lügen und Konventionen. Kulturhistorisch haben wir hier eine Abkehr vom Sehen und die Hinwendung zum Berühren. Die Wende begann mit der Romantik – und hier wurzelt auch Teodor Currentzis´ Auffassung von Kunst. Statt Betrachtung sucht er die Hingabe. Und weil in Currentzis’ Fall das Äußere von den künstlerischen Ergebnissen im höchsten Maße beglaubigt wird, haben auch wir von der Erscheinung auf das Wesen geschlossen und erwarten nun eine Aufführung wie nicht von dieser Welt.

Deutsch

Tristan and Isolde by Wagner, Richard, og. 17 aza. 2022, Noiztik (2022/2022), Zuzendaria Teodor Currentzis

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