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Turandot
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Turandot
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Turandot by Puccini, la 14 touko 2022, Alkaen (2021/2022), Ohjannut Franco Zeffirelli,, Musiikinjohto Marco Armiliato, Metropolitan Opera House, New York City, United States

Katsotaan näyttelijöitä ja miehistöä 14 touko 2022
  • Tuottaja

    Lincoln Center
  • Conductor

    MA

    (2021 loka 12, 16, 21, 24, 29; marras 02, 06, 12, 16; 2022 huhti 30; touko 03, 07, 11, 14)

  • Stage director

    Franco Zeffirelli

    (2021 loka 12, 16, 21, 24, 29; marras 02, 06, 12, 16; 2022 huhti 30; touko 03, 07, 11, 14)

Heittää

  • Turandot

    LM

    (2022 huhti 30; touko 03, 07, 11, 14)

    CG

    (2021 loka 12, 16, 21, 24, 29; marras 02, 06, 12, 16; 2022 touko 14)

    Anna Netrebko

    (2022 huhti 30; touko 03, 07, 11, 14)

  • L'Imperatore Altoum

    (The Emperor Altoum)

  • Timur

    Ferruccio Furlanetto

    (2022 huhti 30; touko 03, 07, 11, 14)

  • Calaf

    YL

    (2022 huhti 30; touko 03, 07, 11, 14)

  • Liù

    Ermonela Jaho

    (2022 huhti 30; touko 03, 07, 11, 14)

  • Ping

    AL

    (2021 loka 21, 24, 29; marras 02, 06, 12, 16; 2022 huhti 30; touko 03, 07, 11, 14)

  • Pang

    TS

    (2021 loka 12, 16, 21, 24, 29; marras 02, 06, 12, 16; 2022 huhti 30; touko 03, 07, 11, 14)

  • Pong

    Eric Ferring

    (2021 loka 12, 16, 21, 24, 29; marras 02, 06, 12, 16; 2022 huhti 30; touko 03, 07, 11, 14)

  • Un Mandarino

    (A Mandarin)

    Jeongcheol Cha

    (2022 huhti 30; touko 03, 07, 11, 14)

  • Il Principe di Persia

    (The Prince of Persia)

    SS

    (2021 loka 12, 16, 21, 24, 29; marras 02, 06, 12, 16; 2022 huhti 30; touko 03, 07, 11, 14)

    JB

    (2021 loka 12, 16, 21, 24, 29; marras 02, 06, 12, 16; 2022 huhti 30; touko 03, 07, 11, 14)

  • Prima ancella

    (First handmaiden)

    MW

    (2021 loka 12, 16, 21, 24, 29; marras 02, 06, 12, 16; 2022 huhti 30; touko 03, 07, 11, 14)

  • Seconda ancella

    (Second handmaiden)

    AN

    (2021 loka 12, 16, 21, 24, 29; marras 02, 06, 12, 16; 2022 huhti 30; touko 03, 07, 11, 14)

  • Il carnefice (Pu-Tin-Pao)

    AL

    (2021 loka 12, 16, 21, 24, 29; marras 02, 06, 12, 16; 2022 huhti 30; touko 03, 07, 11, 14)

Miehistö

  • Lighting designer

    GW

    (2021 loka 12, 16, 21, 24, 29; marras 02, 06, 12, 16; 2022 huhti 30; touko 03, 07, 11, 14)

  • Costume designer

    AA

    (2021 loka 12, 16, 21, 24, 29; marras 02, 06, 12, 16; 2022 huhti 30; touko 03, 07, 11, 14)

    DS

    (2021 loka 12, 16, 21, 24, 29; marras 02, 06, 12, 16; 2022 huhti 30; touko 03, 07, 11, 14)

  • Set designer

    Franco Zeffirelli

    (2021 loka 12, 16, 21, 24, 29; marras 02, 06, 12, 16; 2022 huhti 30; touko 03, 07, 11, 14)

  • Choreographer

    CC

    (2021 loka 12, 16, 21, 24, 29; marras 02, 06, 12, 16; 2022 huhti 30; touko 03, 07, 11, 14)

Yhtye

Yhteistuottaja

Ohjelmoida

1

Turandot
OperaStaged
Two of today’s most thrilling voices share the title role of the legendary cold-hearted princess: Christine Goerke, the Met’s reigning dramatic soprano, and superstar Anna Netrebko, making her long-awaited Met role debut after providing a hair-raising preview in 2019’s New Year’s Eve Gala. Tenors Yusif Eyvazov and Yonghoon Lee trade off as the bold prince determined to win Turandot’s love, alongside sopranos Gabriella Reyes, Michelle Bradley, and Ermonela Jaho as the devoted servant Liù and bass-baritone James Morris and basses Alexander Tsymbalyuk and Ferruccio Furlanetto as the blind king Timur. Marco Armiliato conducts Puccini’s stirring score. Giacomo Puccini (1858–1924) was immensely popular in his own lifetime, and his mature works remain staples in the repertory of most of the world’s opera companies. Franco Alfano (1875–1954) wrote nine operas, of which Cyrano de Bergerac (1936) is still occasionally performed today. The librettists for Turandot were the playwright Giuseppe Adami (1878–1946), who had previously worked with Puccini on Il Tabarro and La Rondine, and the journalist Renato Simoni (1875–1952). In Gozzi’s play, the original commedia dell’arte characters wandered from Italy to China and were members of the Imperial court. Their comments satirized Venetian politics and mores of the times. Puccini and his librettists dispensed with any such relevance. The China of this opera, set in “legendary times,” is a mythic realm viewed from the exoticizing perspective of 20th-century Europeans.
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