Name: Un ballo in maschera
Start: 2021-12-20T00:00:00.000Z
End: 2022-04-17T00:00:00.000Z
Location: Deutsche Oper Berlin

Organization

Cantante

Contralto

Olesya Petrova

Ulrica

Tenor

Yusif Eyvazov

Riccardo

Judit Kutasi

Bajo

Sam Park

Silvano

Patrick Guetti

Tyler Zimmerman

Samuel

Jörg Schörner

Un Juez

Andrew Dickinson

Un Criado

Director(a) de escena

Götz Friedrich

Director(a) orquestal

Michelangelo Mazza

Diseñador(a) de vestuario/Figurinista

Gottfried Pilz

Isabel Ines Glathar

Escenógrafo(a)

Coreógrafo(a)

Andria Hall

Director(a) coral

Jeremy Bines

Yi-Chen Lin

Soprano

Irina Churilova

Amelia

Heidi Stober

Oscar

Ya-Chung Huang

Patrick Cook

Barítono

Thomas Lehman

Renato

Dario Solari

Elena Tsallagova

Dmytro Popov

Yosep Kang

Maria Teresa Leva

Veronika Dzhioeva

Deutsche Oper Berlin

Orchestra

Orchester der Deutschen Oper Berlin

Others

Choir of the Deutsche Oper Berlin

Ballet

Opera Ballet of the Deutsche Oper Berlin

italiano

Un ballo in maschera -  (Un Baile de Máscaras)

Berlín

Alemania

Un ballo in maschera Verdi

Public

Private

Un Baile de Máscaras

alemán

inglés

Válido

Accordionist

Instrumentista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor/actriz

Bailarín(a)

Chorus Director

Compositor(a)

Coro

Diseñador(a) de iluminación

Diseñador(a) de sonido

Diseñador(a) de video

Dramaturgia

Entrenador(a) vocal

Extra

Illustrator

Libretista

Maestro repetidor

Maquillaje

Orchestra Operations

Orquesta

Otro

Peinado

Photographer

Poet

Producción Ejecutiva

Profesor(a)

Radiodifusión

Stage Manager

Traductor(a)

Wig & Makeup Designer

Writer

Writing and performance

Mezzosoprano

Contratenor

Bajobarítono

Alto

Continuo

Papel de hablante

Papel mudo

Vocalista infantil

The tragic love affair between King Gustaf III. and Amelia is contrasted with the radiant courtyard atmosphere. Musical contrasts, sharp dots and syncope formations express the intensity of the feelings. Musical direction: Michail Jurowski; Production: Götz Friedrich With, among others, Kamen Chanev, Angela Marambio, Martina Welschenbach, Lado Ataneli

King Gustaf III. holds its morning audience as if it were a theater performance. The page Oskar presents the king with the guest list for an upcoming masked ball. Gustaf then discovers the name of Amelias, the wife of his best friend René Anckarström, whom he secretly loves. A conspiracy against the king is looming. René warns him, but the king underestimates the danger. Nor does he take seriously the oracle of the fortune teller Ulrika, who foretells that he will be killed by whoever shakes his hand first, as it is his friend René Anckarström who greets him with a handshake. When Gustaf and Amelia confess their love at the place of execution at midnight, René appears unexpectedly to warn the friend again. He exchanges the cloak with the king so that he can flee unrecognized and promises to escort the veiled stranger back to town. The conspirators come and attack the supposed king. René reveals himself. His wife Amelia throws herself between the fighting and lets her veil fall. Mocked as a betrayed husband, René wants to join the conspirators. When the page Oskar brings the king's invitation to the masked ball, he decides to let the ball become a dance of death for Gustaf, without knowing that the king has already decided against love and duty. When he says goodbye to Amelia, he is shot by René. Mocked as a betrayed husband, René wants to join the conspirators. When the page Oskar brings the king's invitation to the masked ball, he decides to let the ball become a dance of death for Gustaf, without knowing that the king has already decided against love and duty. When he says goodbye to Amelia, he is shot by René. Mocked as a betrayed husband, René wants to join the conspirators. When the page Oskar brings the king's invitation to the masked ball, he decides to let the ball become a dance of death for Gustaf, without knowing that the king has already decided against love and duty. When he says goodbye to Amelia, he is shot by René.

UN BALLO IN MASCHERA is a prime example of Verdi's new verità aestheticthat develops a broad spectrum of musical and dramatic facets. The tragic love affair between King Gustaf III. and Amelia, who resembles a fate, is contrasted with the radiant court atmosphere, especially represented by the page Oskar. The dramatic climax is the finale of the third act: the conspirators, Count René Anckarström, also meet at the masked ball of the court society, the two storylines interpenetrate. The disaster unfolds against the backdrop of elegant dance music. The last encounter between Amelia and Gustaf is accompanied by a stylized minuet, interrupted only once by fearful music when Amelia fears for the life of her lover. The feelings of the two main characters, alternating between desire and agony of conscience, reflect the diversity of the musical design: musical contrasts, sharp dots and syncopation express the intensity of the feelings. Most of the drama takes place in music.

Götz Friedrich and his two outfitters also make it visible and tangible on the stage thanks to their stage design and sophisticated personal direction.

English

Un Baile de Máscaras by Verdi, vie. 15 abr 2022, De (2021/2022), Dirigido por Götz Friedrich,, Director Michelangelo Mazza, Yi-Chen Lin, Deutsche Oper Berlin, Berlín, Alemania

Créditos de presentación (Elenco & Equipo )

Elenco

Equipo

Ensamble

Programa, Acerca de & Sinopsis

Vídeos

Fotografías

Más información

Fechas y lugares de actuación

Lugares