Artist

Admin

Maestro

Stathis Soulis

Diretor de Palco

Themelis Glynatsis

Cenógrafo

Alexia Theodorakis

Estilista

Alexia Theodoraki

Designer de Iluminação

Stella Kaltsou

Designer de Vídeo

Marios Gampierakis

Cantor

Thanasis Dovris

Unknown man

Instrumentista

Alexandros Botinis

Cello I

Marina Kolovou

Cello II

Greek National Opera

Verklärte Nacht op. 4

Verklärte Nacht op. 4 Schoenberg,A

Public

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Ator

Broadcasting

Chefdirigent Musiktheater

Chorus Director

Compositor

Coral

Coreógrafo

Dançarino

Designer de Som

Dramaturgo

Estilista de cabelo

Extra

Illustrator

Libretista

Maquiador

Mestre de Coro

Orchestra Operations

Orquestra

Other

Photographer

Poet

Produtor executivo

Repetidor

Stage Manager

Teacher

Tradutor

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baixo-barítono

Soprano

Contralto

Contratenor

Tenor

Barítono

Baixo

Mezzo-soprano

Alto

Continuo

Silent

Spoken

Vocalista Infantil

Schönberg’s Verklärte Nacht (Transfigured Night, op.4, 1899) is perhaps his most popular, if not his most representative work. Written in what is widely known as Schönberg’s “post-Romantic” period and before the invention of the twelve-tone system, VerklärteNacht is one of the most important pieces of the 20th century programme music.It is based on Richard Dehmel’s poem without however using the text as part of the composition. Although Schönberg wrote the sextet following the six stanzas of the poem, he allowed for no pauses between them, giving the listener the impression of a continuous composition.

Dehmel’s poem, with familiar proto-expressionistic characteristics, describes a man and a woman crossing a forest in the midst of an unnaturally bright night. The woman reveals to her partner that she is pregnant by another man. Despite her guilts and shame, the man calms her down and accepts the unborn child, leading the poem to an ecstatic climax.

Schönberg’s composition, apart from being an ingenious combination of the compositional tradition of Brahms’motivistic transformations and Wagner’s constant compositional line (Schönberg’s references to Wagner’s opera Tristan und Isolde are numerous), it is also in part an autobiographical account of his relationship with his music teacher’s –the famous composer Alexander von Zemlinsky– sister, whom he finally married.

The director Themelis Glynatsis, in an attempt that oscillates between a performance and animation, converts the expressionist narrative of Dehmel’s poem and Schönberg’s composition into material for a dramaturgy of a nightmare, which gradually gives its place to an extraordinary psychic transfiguration and to a final concomitance, whereby the intimate bodies stop being monstrous and are overwhelmed by tenderness. In other words, a family drama, and a love story, both demanding a brave affirmation of its characters in order to disengage themselves from repetition and guilt. A basic dramaturgical motif is nature, which initially appears vengeful and uncanny, but little by little is transformed into a landscape of atonement.

English

Verklärte Nacht op. 4 by Schoenberg, Arnold, qua 09 dez 2020, De (2020/2020), Dirigido por Themelis Glynatsis,, Regente Stathis Soulis

Créditos do espetáculo (Elenco & Equipe )

Elenco

Instrumentação

Equipe

Programa, Sobre & Sinopse

Fotos

Leitura adicional

Datas e locais de apresentação

Locais de Eventos