Name: Vfo Pappano Lim
Start: 2024-07-26T00:00:00.000Z
End: 2024-07-26T00:00:00.000Z
Location: Salle des Combins

Admin

Verbier Festival

Pianist

Yunchan Lim

Piano

Orchestra

Verbier Festival Orchestra

Conductor

Antonio Pappano

Vfo / Pappano / Lim

Bagnes

Switzerland

Salle des Combins

Vfo / Pappano / Lim: Piano Concerto No. 5 in E-flat Major, op. 73 ("Emperor Concerto") Beethoven (+1 More)

Public

Private

Piano Concerto No. 5 in E-flat Major Op. 73

9th Symphony

Akshay C K

Approved

Bass

Instrumentalist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Countertenor

Singer

Baritone

Soprano

Bass-baritone

Contralto

Mezzo-soprano

Tenor

Spoken

Child vocalist

Silent

Alto

Continuo

Premiered in 1811, Beethoven’s Piano Concerto No 5 ‘Emperor’ was his last, written during Napoleon’s bombardment of Vienna, and carrying that martial flavour in its key of E flat – the same as for his ‘Eroica’ Symphony No 3 – and in its piano writing’s virtuosic brilliance. It was also structurally bold, including the unprecedented scale of its opening Allegro, and the way its limpid slow movement tips seamlessly into its final Rondo. Written between 1891 and his 1886 death, Bruckner’s final Ninth Symphony – dedicated to ‘dear God’ – is cast in the same D minor key as Beethoven’s Ninth. Powerful climaxes and a lack of resolution characterise the first two movements; there’s even tension to the Scherzo second’s central trio of dancing strings and flute birdsong. Yet while the Adagio third (which has become the finale, the fourth movement being left uncompleted) opens painfully yearning, it moves to E major peace.

English

Créé en 1811, le Concerto pour piano N° 5 « L’empereur » de Beethoven fut son dernier. Il a écrit pendant le bombardement de Vienne par Napoléon, et porte une atmosphère martiale dans sa tonalité de mi bémol et son écriture pianistique virtuose. Il était également audacieux sur le plan structurel, notamment par l’ampleur sans précédent de son Allegro initial et par la transition fluide de son mouvement lent et limpide vers le Rondo final.
Écrite entre 1891 et sa mort en 1886, l’ultime Neuvième Symphonie de Bruckner, dédiée au « cher Dieu », est écrite dans la même tonalité de ré mineur que la Neuvième Symphonie de Beethoven.
Les deux premiers mouvements se caractérisent par des climax puissants et une absence de conclusion. Le trio central du deuxième scherzo, quant à lui, présente des cordes dansantes et des chants d’oiseaux à la flûte, empreints de tension. Le quatrième mouvement n’ayant pas été achevé, l’Adagio troisième est devenu le finale s’ouvrant sur une nostalgie douloureuse pour finalement aboutir à la paix en mi majeur.

français

Vfo / Pappano / Lim by Beethoven, hAo 26 Iúil 2024, Ó (2024/2024), Seoltóir Antonio Pappano, Salle des Combins, Bagnes, Switzerland

Creidmheasanna feidhmíochta (Foireann & Criú )

Caitheadh

Ensemble

Clár, Eolas & Achoimre

Grianghraif

Tuilleadh léitheoireachta

Dátaí & Ionaid Feidhmíochta

Ionaid