Name: Vfo Shani Barenboim Weilerstein Kantorow
Start: 2024-07-29T00:00:00.000Z
End: 2024-07-29T00:00:00.000Z
Location: Salle des Combins

Admin

Verbier Festival

Conductor

Lahav Shani

Pianist

Alexandre Kantorow

Piano

Orchestra

Verbier Festival Orchestra

Instrumentalist

Michael Barenboim

Viola

Alisa Weilerstein

Cello

Vfo / Shani / Barenboim / Weilerstein / Kantorow

Bagnes

Switzerland

Salle des Combins

Vfo / Shani / Barenboim / Weilerstein / Kantorow: Piano Concerto No. 2 in B-flat Major, op. 83 Brahms (+1 More)

Public

Piano Concerto No. 2

Don Quixote

Akshay C K

Approved

Bass

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Tenor

Singer

Countertenor

Soprano

Baritone

Contralto

Bass-baritone

Mezzo-soprano

Spoken

Child vocalist

Silent

Alto

Continuo

When Brahms composed his Second Piano Concerto in 1881, it set a new benchmark for size and scope. Scored in four movements rather than the usual three, its opening is strikingly original: a noble horn call, answered by the piano, which then launches into a mood-switching cadenza. The second movement is an impassioned scherzo, followed by an Andante whose music is based on its initial solo cello song, and a rondo finale blending playfulness with grandeur. Strauss’s Don Quixotte of 1897 is a programmatic theme and variations on the famed Cervantes novel about an elderly hidalgo who goes mad, imagines himself to be a knight errant, and sets off on adventure. Casting a cello as ‘Don Quixotte’ and a viola as his servant, Sancho Panza, Strauss’s colourful score brilliantly depicts events such as the mistaking of a flock of sheep for an enemy army (atonal baa-ing). Eventually sanity is restored, and the weary gentleman dies peacefully on a downwards glissando.

English

Le Second Concerto pour piano et orchestre de Brahms de 1891 révolutionna le genre par sa taille et son envergure. En quatre mouvements au lieu des trois habituels, il s’ouvre de façon originale : par un noble appel de cor, auquel répond le piano, qui s’engage ensuite dans une cadence d’humeur changeante. Le second mouvement est un Scherzo passionné, suivi d’un Andante dont le matériau thématique repose sur le chant initial du violoncelle solo. Le rondo final associe espièglerie et grandeur.
Le Don Quichotte de Strauss, de 1897, est un « Thème et variations » à programme. Son argument repose sur le célèbre roman de Cervantès : un vieil hidalgo devenu fou, s’imagine chevalier errant et part à l’aventure. Le violoncelle personnifiant Don Quichotte, et l’alto Sancho Panza, la partition colorée de Strauss dépeint avec brio des événements tels que la confusion d’un troupeau de moutons avec une armée ennemie. Sa folie dissipée, le gentleman fatigué meurt paisiblement sur un glissando descendant.

français

Vfo / Shani / Barenboim / Weilerstein / Kantorow by Brahms, Strauss, po 29 čvc 2024, Od (2024/2024), Dirigent Lahav Shani, Salle des Combins, Bagnes, Switzerland

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