Name: Werther
Start: 2020-10-08T00:00:00.000Z
End: 2020-10-18T00:00:00.000Z
Location: Teatr Wielki - Opera Narodowa

Admin

Organization

Cantante

Tenore

Piotr Beczała

Werther

Leonardo Caimi

Mezzosoprano

Iryna Zhytynska

Charlotte

Baritono

Stanisław Kuflyuk

Albert

Soprano

Sylwia Olszyńska

Sophie

Basso

Jerzy Butryn

Il Borgomastro

Jacek Ornafa

Schmidt

Jasin Rammal-Rykała

Johann

Direzione d'orchestra

Patrick Fournillier

Regia

Willy Decker

Scenografia

Wolfgang Gussmann

Igor Buczyński

Brühlmann

Szymon Raczkowski

Costumi

Director of the resume

Stephan Heinrichs

Teatr Wielki - Opera Narodowa

francese

Varsavia

Polonia

Werther Massenet

Public

polacco

inglese

Approvato

Accordionist

Strumento

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianista

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

Altro

Ballando

Chorus Director

Composizione

Coreografia

Coro

Direzione del coro

Docente di canto

Drammaturgia

Emittente radiotelevisiva

Extra

Illustrator

Insegnante

Libretto

Luci

Maestro ripassatore

Orchestra

Orchestra Operations

Parrucco

Photographer

Poet

Produzione esecutiva

Recitazione

Stage Manager

Suono

Traduzione

Trucco

Video

Wig & Makeup Designer

Writer

Writing and performance

Basso-baritono

Contralto

Controtenore

Alto

Continuo

Mimi

Narrazione

Voce bianca

When in 1774 the Sorrows of the Young Werther , a novel in letters by Johann Wolfgang Goethe, appeared in print, the audience fell ill with the title character of a loner poet, idealistically in love with a woman related to another man. Europe was mastered by the "Werther effect", a mechanism of suicidal imitation: young people fell in love unhappily and, following in the footsteps of the novel's protagonist, took their own lives with a sublime gesture. Early Romanticism found an exemplary expression of its maladjustment to the world and the subconscious desire for death.

More than a hundred years later, when people were blown out by romantic loves and the world of belle époque  was enchanted by the technical progress of the French composer Jules Massenet, the only heir to the French opera tradition after Bizet's death, he was intrigued by the love triangle of Charlotte, Werther and his rival Albert. In this old story, he saw the current conflict between the truth of feelings and the pressure of bourgeois conventions.

Work on the libretto and music took him seven years (1880–1887), and the efforts to exhibit the work took another five. During this time, five other operas were premiered, including the famous Manon . Today there is no doubt that in the case of Werther we are dealing with a masterpiece. Its culminating moment is act III, a confrontation of the lovers' feelings when reading Osjan's poems, captured by the composer into a beautiful aria by Werther Pourquoi me réveiller . She catches act IV, in which the weight of the story shifts to Charlotte, with her wonderful mezzo-soprano part.

In the opera, unlike in the German original, she loves Werther, but chooses the duty towards her deceased mother, who gave her practical Albert as her husband. Werther, who believes in eternal love ( l'amour eternel ), wants to die. Charlotte orders him to leave the area for six months until Christmas. However, she cannot forget about him, she reads his letters, and when her beloved suddenly arrives, she cannot hide her love. However, she breaks free from him, and he decides to kill himself ( Charlotte sentenced me to death! ). Charlotte goes to town to stop her lover, but arrives too late - Werther is mortally wounded. He dies in her arms to the sound of a Christmas carol, and she gives him the kiss she had previously shaked up.Let your soul dissolve in my heart - these are the last words of their duo, which - what can I hide here - squeezes tears from my eyes.

In his famous 1996 staging of Werther , which triumphantly crossed the opera stages in Amsterdam, Rome, Geneva, Antwerp, Frankfurt, Barcelona (starring Piotr Beczała in the title role) and Prague, German director Willy Decker focuses on the psychological aspects of a love obsession and trapping your own mind. The wide planes saturated with intense colors of the set design, the hallmark of this director, are divided into two zones: the limited field of the characters' psyche and the plan of nature in which the rhythm of the seasons is reflected.

English

Werther by Massenet, sab 10 ott 2020, Da (2020/2020), Diretto da Willy Decker,, Direttore d'orchestra Patrick Fournillier, Teatr Wielki - Opera Narodowa, Varsavia, Polonia

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