Name: Y. Nézet-Séguin: Brahms Cycle IV
Start: 2022-07-17T00:00:00.000Z
End: 2022-07-17T00:00:00.000Z
Location: Festspielhaus Baden-Baden

Organization

Sommerfestspiele Baden-Baden

Conductor

Yannick Nézet-Séguin

Pianist

Seong-Jin Cho

Others

Chamber Orchestra of Europe

Y. Nézet-Séguin: Brahms Cycle IV

Baden-Baden

Germany

Festspielhaus Baden-Baden

Public

Concert

Approved

Bass

Instrumentalist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Mezzo-soprano

Singer

Soprano

Contralto

Countertenor

Bass-baritone

Tenor

Baritone

Spoken

Child vocalist

Silent

Alto

Continuo

Y. Nézet-Séguin: Brahms Cycle IV: Concert Various

Brahms' Piano Concerto No. 2 was completed in 1881, 14 years before the Alter Bahnhof, today's Festspielhaus entrance building. The temporal proximity explains a related aesthetic, the style of representation. It was a glorious over-style that absorbed all previous styles. In Brahms' Piano Concerto, for example, we find borrowings from Beethoven, Schubert and Schumann. Such thinking has its forerunners in Louise Farrenc's symphonies, for in her too we find a master builder. Against the urge to reform after Beethoven's death, she focused on style, form, preservation, cultural skepticism and industrial progress. A conservative aesthetic opposed to the liquefaction of form in Romanticism.

English

Y. Nézet-Séguin: Brahms Cycle IV by Various, ig. 17 uzt. 2022, Noiztik (2022/2022), Zuzendaria Yannick Nézet-Séguin, Festspielhaus Baden-Baden, Baden-Baden, Germany

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