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Soprano

Rebecca Sjöwall

Artist

Approved

2016

2014

2013

2012

2010

2009

2008

Individual contributor id

include virtual contributors

Pianista

Instrumentalist

Violinist

Cellist

Violist

Flautista

Clarinetist

Percussionist

Guitarist

hornist

Organist

Oboist

Bassoonist

Trumpeter

Contrabajo

Trombonist

Harp player

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Basso Continuo

Vibraphonist

Theorbist

Cornettist

Viola d’amore Player

Synthesist

Compositor(a)

Director(a) orquestal

Director(a) de escena

Libretista

Escenógrafo(a)

Diseñador(a) de vestuario/Figurinista

Coreógrafo(a)

Diseñador(a) de iluminación

Bailarín(a)

Actor/actriz

Director(a) coral

Diseñador(a) de video

Dramaturgia

Traductor(a)

Diseñador(a) de sonido

Maestro repetidor

Maquillaje

Producción Ejecutiva

Peinado

Otro

Stage Manager

Coro

Orquesta

Poet

Entrenador(a) vocal

Profesor(a)

Photographer

Radiodifusión

Wig & Makeup Designer

Illustrator

Writer

Writing and performance

Chorus Director

Orchestra Operations

Extra

Bajobarítono

Singer

Contratenor

Tenor

Mezzosoprano

Contralto

Bajo

Barítono

Hablado

Vocalista infantil

Silencio

Alto

Soprano Rebecca Sjöwall sang a lovely and limpid Liù, making her opening plea to Calaf (“Signore, ascolta!”) beautifully modulated and her closing suicide before Turandot (“Tanto amore segreto”) deeply affecting.

Festival Opera's Triumphant Turandot

“Life With the Macbeths” closed the album with the third Shakespeare reference [“Bummer” also referenced The Bard] as an opera duet featuring Russell sharing the mic with soprano Rebecca Sjöwall, who had previously sung on the brother’s “Ingmar Bergman” opus. This amazing song extrapolated “Macbeth” into a “reality TV” show to stunning comic effect. Part of the stunning was accomplished by soprano Sjöwall reaching C6 on the lyric “soar” [obviously] and “Score” at the song’s climax; having held back throughout the rest of the song.

Rebecca Sjöwall

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