Pauline Viardot's "Canzoni popolari toscane"
Léirithe san am a chuaigh thart 1998 — Inné
The Black Rider - Schauspielmusical von Tom Waits, Robert Wilson und William S. Burroughs, Waits
Theater St GallenKuno
Féach ar an bhfoireann agus an fhoireannDie Feuerrote Friederike, Naske
Theater St GallenDer Postdirektor + 1 ról
Féach ar an bhfoireann agus an fhoireann-
Andrea Chénier (Andrea Chenier), Giordano
Theater St GallenAbt / Spitzel
Féach ar an bhfoireann agus an fhoireannDer Ring an einem Abend, Wagner, Richard
Theater St GallenLoge + 1 ról
Féach ar an bhfoireann agus an fhoireannDie Zauberflöte (The Magic Flute), Mozart
Theater St GallenMonostatos (Monostastos)
Féach ar an bhfoireann agus an fhoireann-
Die Fledermaus (The Bat), Strauss II
Theater St GallenDr Blind (Doctor Blind)
Féach ar an bhfoireann agus an fhoireann-
Andrea Chénier (Andrea Chenier), Giordano
Theater St GallenAbt / Spitzel
Féach ar an bhfoireann agus an fhoireannDer Ring an einem Abend, Wagner, Richard
Theater St GallenLoge + 1 ról
Féach ar an bhfoireann agus an fhoireannDie Zauberflöte (The Magic Flute), Mozart
Theater St GallenMonostatos (Monostastos)
Féach ar an bhfoireann agus an fhoireann-
Die Fledermaus (The Bat), Strauss II
Theater St GallenDr Blind (Doctor Blind)
Féach ar an bhfoireann agus an fhoireann-
Guillaume Tell (William Tell), Rossini
Theater St GallenRuodi
Féach ar an bhfoireann agus an fhoireannRiccardo Botta, Italian-Swiss tenor, began studying singing in Trieste with his father, the tenor Giuseppe Botta, and then studied with the teacher Enza Ferrari and the famous baritone Giuseppe Taddei. His official debut in the world of opera, which took place in 1996 in Cimarosa's "The Secret Marriage" in Treviso, marks the beginning of a happily eventful career, also due to the significant number of operatic roles played (over 90!), And undoubtedly, full of successes. During the first decade of professional activity, thanks to his excellent vocal qualities and musical talent, he completely dedicated himself to Belcanto, interpreting the first tenor roles of the great repertoire (Don Pasquale, Elisir d'amore, Lucia di Lammermoor, Il Barbiere di Seville, L'italiana in Algeri, Cenerentola,