Rita Marques
Creidmheasanna feidhmíochta
Léirithe san am a chuaigh thart 2008 — Inné
Die Fledermaus (The Bat), Strauss II
Teatro Nacional de São CarlosAdele
Féach ar an bhfoireann agus an fhoireannIl viaggio a Reims (The Journey to Reims), Rossini
Égide Portuguese Arts AssociationMadama Cortese (Madame Cortese)
Féach ar an bhfoireann agus an fhoireannL'elisir d'amore (The Elixir of Love), Donizetti
Teatro Nacional de São CarlosAdina
Féach ar an bhfoireann agus an fhoireannSymphony No. 2, op. 52 (Symphony No. 2 in B-flat Major, op. 52 ("Hymn of Praise")), Mendelssohn
Fundação Centro Cultural de BelémSopran I (Soprano I)
Féach ar an bhfoireann agus an fhoireannLéirithe san am atá caite
Il viaggio a Reims (The Journey to Reims), Rossini
Égide Portuguese Arts AssociationMadama Cortese (Madame Cortese)
Féach ar an bhfoireann agus an fhoireann
L'elisir d'amore (The Elixir of Love), Donizetti
Teatro Nacional de São CarlosAdina
Féach ar an bhfoireann agus an fhoireann
Symphony No. 2, op. 52 (Symphony No. 2 in B-flat Major, op. 52 ("Hymn of Praise")), Mendelssohn
Fundação Centro Cultural de BelémSopran I (Soprano I)
Féach ar an bhfoireann agus an fhoireannBeathaisnéis
Rita Marques was born in Caldas da Rainha, Portugal. She completed her Singing degree in Escola Superior de Música de Lisboa (2010-2013) in Silvia Mateus’ class. She has already been Königin der Nacht in “Die Zauberflöte” by W. A. Mozart; Princess, Young Lady and Dame in “Lady Sarashina” by P. Eötvos; Despina in “Così fan tutte” by W. A. Mozart; Sofia in “Il Signor Bruschino” by G. Rossini and Soeur Alice in “Dialogues des Carmelites by F. Poulenc. With a Fundação Calouste Gulbenkian/ENOA – European Network of Opera Academies scholarship, she attended workshops with Claudio Desderi (FCG, Lisbon, Oct/2014, Jun/2015, Oct/2015), June Anderson and Cecilia Gasdia (Verona, Sep/2015) and the “Wiener Operette Workshop” in the Bayrische Theatherakademie (Munique, Oct/2015). In 2016/2017 she attende
