Ron Petraß

Artist

Approved

2023

2021

Individual contributor id

include virtual contributors

Pianist

Instrumentalist

Violinist

Cellist

Violist

Flautist

Clarinetist

Percussionist

Guitarist

hornist

Organist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harp player

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Continuo

Vibraphonist

Theorbist

Cornettist

Viola d’amore Player

Synthesist

Composer

Conductor

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Wig & Makeup Designer

Illustrator

Writer

Writing and performance

Chorus Director

Orchestra Operations

Extra

Tenor

Singer

Bass-baritone

Countertenor

Contralto

Baritone

Bass

Mezzo-soprano

Soprano

Spoken

Child vocalist

Silent

Alto

A modern myth based on the opera by Claudio Monteverdi Musical adaptation and new composition by Michael Wilhelmi Performance in Italian and German with German surtitles World premiere Who else could be the opera's first hero than Orpheus, the ancient mythical singer? The artist, the musician, who overcomes death with his tones, is the incarnate symbol of this art form. For just a moment, he frees his beloved from the underworld before she disappears back into the shadows. And in terms of content, the opera from 1607 already contains everything that has driven music theater since then: death, emotional excess or (bar) measure, the power of love and the power of music. But where is Eurydice? Is she just the shadow in Orpheus' story? What are her wishes and does she even want to come back from the underworld? Claudio Monteverdi wrote his ORFEO in the spirit of the Florentina Camerata, an association of musicians concerned with a musical revival of ancient tragedy. In pursuit of this, the composer Michael Wilhelmi and the director Claudia Meyer translate Monteverdi's music into the present day in their adaptation. Musical arrangements, film sequences and texts from contemporary literature breathe new life into the "dramma per musica", this musical drama from the 17th century. The focus is on a timeless question: how to live after the loss of a loved one? PREMIERE DEC 4, 2021 O Big House Website: In their adaptation, the composer Michael Wilhelmi and the director Claudia Meyer translate Monteverdi's music into the present day. Musical arrangements, film sequences and texts from contemporary literature breathe new life into the "dramma per musica", this musical drama from the 17th century. The focus is on a timeless question: how to live after the loss of a loved one? PREMIERE DEC 4, 2021 O Big House Website: In their adaptation, the composer Michael Wilhelmi and the director Claudia Meyer translate Monteverdi's music into the present day. Musical arrangements, film sequences and texts from contemporary literature breathe new life into the "dramma per musica", this musical drama from the 17th century. The focus is on a timeless question: how to live after the loss of a loved one? House Website:https://www.staatstheater-cottbus.de/

L'Orfeo Monteverdi

Orfeus

Die Bremer Stadtmusikanten

Ron Petraß

Výkonnostní kredity

Doporučená minulá představení

Doporučená videa

Doporučené fotografie

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