Countertenor

Sergejs Jēgers

Artist

Approved

2009

2008

2007

2005

2004

Individual contributor id

include virtual contributors

Pianist

Instrumentalist

Violinist

Cellist

Violist

Flautist

Clarinetist

Percussionist

Guitarist

Organist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harp player

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Continuo

Vibraphonist

Theorbist

Cornettist

Viola d’amore Player

Synthesist

Composer

Conductor

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Wig & Makeup Designer

Illustrator

Writer

Writing and performance

Chorus Director

Orchestra Operations

Extra

Baritone

Singer

Tenor

Contralto

Bass-baritone

Soprano

Mezzo-soprano

Bass

Spoken

Child vocalist

Silent

Alto

In the 19th century Anton Rubinstein (1829 -1894) was referred to as the outstanding piano virtuoso amongst the composers of the time and the most outstanding composer amongst the piano virtuosos of the time. In Riga, Rubinstein performend since the age of 15. The total number of concerts given in Riga also reaching 15, he elicited immense admiration inhis listenersand earned his nickname Anton-the-first-in-the-field-of-piano. In his concert of 29 January 1880, during his last visit to Riga, he won the audiences acclaim by also performing ballet music fragments from his most successful opera „The Demon". Eyewitnesses found difficult to describe the exaltation generated by Anton Rubinsteins apperarances in Riga. 

The Stage Director Andrejs Žagars, Conductor Normunds Vaicis, Set and Costume Designer Ieva Kauliņa and Lighting Designer Reinhard Bichsel are presenting a new production of this significant work of Russian romantic music, so frequently staged previosly.

One of the reasons for reverting to Anton Rubinsteins „The Demon", is to be found in the necessity to enrich the operas basic repertoire with works that allow us to have a more comprehensive and thorough insight into the nature of the lost time and the era or Romanticism. The second reason is quite simple and relevant to universal subjects, i.e. „The Demon" is a story about passion, solitude of the soul and the last desperate attempt to love. This is a message about the struggle of good and evil that has taken place and continues to take place in a world populated by people and spirits.

Andrejs Žagars: „For instance, I wouldnt like the main character to appear something like a monster flying on a cable, in an exaggerated costume, like an alien from the other world. I will try to approximate his psycho-physical expressions, his image with other characters. He will probably be the distinguished only by his movements of reactions."

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