Name: G. F. Händel's "Serse" (Xerxes), Teatro Litta Milan
Uploaded: 2021-02-22T08:25:26.000Z
Description: Coin du Roi - Société d'Opéra, Artistic Director: Christian Frattima www.coinduroi.it Facebook: https://www.facebook.com/coinduroi/Almost 20 years after the ...

Bass

Stefano Cianci

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2009

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As.Li.Co. - Opera domani... 2009 - HANSEL e GRETEL - Commedia fiabesca in tre quadri - Musica di Engelbert Humperdinck - Libretto di Adelheid Wette - Adattam...

Hänsel und Gretel Humperdinck

Coin du Roi - Société d'Opéra, Artistic Director: Christian Frattima www.coinduroi.it Facebook: https://www.facebook.com/coinduroi/Almost 20 years after the ...

G. F. Händel's "Serse" (Xerxes), Teatro Litta Milan

Decisamente buona la prova di Stefano Cianci nel ruolo di Ariodate, padre di Romilda. Questo giovane artista ci ha convinto per la buona disinvoltura scenica ed anche per la sicurezza vocale.

Molto bene il basso Stefano Cianci, nel ruolo di Ariodate. Le poche battute a lui riservate sono state sufficienti per evidenziarne le grandi qualità vocali.

Stefano Cianci's resonantly-timber, bright-smiled Ariodate struggled in dawdling yawns.

Possente l’emissione di Stefano Cianci, il generale e principe Ariodate.

...Stefano Cianci (Ariodate) basso con voce importante...

Stefano Cianci nel ruolo del generale Ariodate ha esibito voce robusta e ben controllata e si avvantaggiava delle sue sortite accompagnate dal coro che esaltavano le arie guerresche a lui ascritte.

Ovations at the German premiere!
On 9 January Rossini’s opera “Maometto Secondo” was performed in a concertante performance in the Volkstheater in Rostock (Germany). 
It was the very first performance of our scholarly-critical edition in Germany and the editor, Mr Hans Schellevis, was at the opening night.

“Exquisitely sung by  Stefano Cianci  as the protagonist 
Gulnara Shafigullina as Anna and the wonderful Paul Nilon as Erisso, 
the excellent and inspiring conductor David Parry, a true specialist in this repertoire, 
managed to reveal hidden depths in this amazing masterpiece by Rossini. 
It didn’t fail to have an effect on the audience: already at interval time there were three curtain calls, 
and the final applause, accompanied by cheering and shouting, lasted for at least ten minutes. 
We can only express the wish that many theatres will follow Rostock’s example in programming the opera".

Stefano Cianci

Forestillingkreditter

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