Soprano (+1)

Soprano, Mezzo-soprano

Susanne Nederkorn

Soprano

Mezzo-soprano

Artist

Approved

2019

2017

2016

2015

2014

2012

2011

2008

2005

Individual contributor id

include virtual contributors

Piano

Instrumentalist

Violinist

Cellist

Violist

Flûtiste

Clarinetist

Percussionist

Guitarist

hornist

Organist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harp player

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Basso Continuo

Vibraphonist

Theorbist

Cornettist

Viola d’amore Player

Synthesist

Compositeur

Direction d'orchestre

Mise en scène

Livret

Décors

Costumes

Chorégraphie

Lumières

Danse

Acteur

Direction de choeur

Video

Dramaturgie

Traduction

Répétiteur

Maquillage

En charge de la production

Coiffure

Autre

Stage Manager

Choeur

Orchestre

Poet

Coach vocal

Prof

Photographer

Diffusion

Wig & Makeup Designer

Illustrator

Writer

Writing and performance

Chorus Director

Orchestra Operations

Extra

Basse

Singer

Baryton-basse

Contre-ténor

Ténor

Baryton

Contralto

Parlé

Voix d'enfant

Rôle muet

Alto

Der Graf von Telramund und seine Gattin Ortrud intrigieren gegen Elsa, die Schwester des angeblich ermordeten Herzogs Gottfried. „Aus fernem Land" erscheint ...

Trailer "Lohengrin" - Richard Wagner

Orpheus and Eurydice do not have to contend with adverse fate, but with boredom and weariness in what is probably the most irreverent version of the myth that has ever been presented. Jacques Offenbach's »opéra bouffon« from 1858 satirizes conditions in Paris during the Second Empire: disguise and façade are everything. It is important to keep up appearances under all circumstances, otherwise »public opinion« threatens character assassination. It is only this threat that finally persuades Orpheus to go into the underworld to look for his wife there. Eurydice herself has no intention of returning to marital ennui, instead throwing herself into the arms of the god of hell Pluto - and, when he too disappoints her, into the clutches of a seductive fly... The story of a desperate search for happiness and adventure, which always fails for the same reasons, is staged by Markus Bothe as a fast-paced, over-the-top game of hide-and-seek in which people love, lie, suffer and laugh to their heart's content. Of course, the famous can-can from hell shouldn't be missing either. Musical direction: Benjamin Reiners / Matthew Toogood Director: Markus Bothe Stage: Robert Schweer Costumes: Justina Klimczyk Light: Damian Chmielarz Choreography: Norbert Steinwarz Dramaturgy: Cordula Demattio Choir: Dani Juris Orpheus: Joshua Whitener Euyridke: Amelia Scicolone Pluto / Aristeus: Joachim Goltz Styx: Wolfgang Neumann Jupiter: Thomas Berau Juno: Marie Belle Sandis Venus: Estelle Kruger / Stefanie Smits Diana: Iris Kupke Mars: Ilya Lapich Mercury: Uwe Eikotter Cupid: Ludovica Bello Public opinion: Heidrun Arnegger, Monika Fuhrmann, Gerda Maria Knauer, Julia Müller-Wolthuis, Susanne Nederkorn, Susanne Scheffel, Anja Wollenweber Further information and all performance dates

Susanne Nederkorn

Crédits de représentation

Performances passées en vedette

Vidéos liées

Photos en vedette

En savoir plus sur Susanne Nederkorn