Contre-ténor

Tom Scott-Cowell

Artist

Approved

2020

2019

2018

2017

Individual contributor id

include virtual contributors

Piano

Instrumentalist

Violinist

Cellist

Violist

Flûtiste

Clarinetist

Percussionist

Guitarist

hornist

Organist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harp player

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Basso Continuo

Vibraphonist

Theorbist

Cornettist

Viola d’amore Player

Synthesist

Compositeur

Direction d'orchestre

Mise en scène

Livret

Décors

Costumes

Chorégraphie

Lumières

Danse

Acteur

Direction de choeur

Video

Dramaturgie

Traduction

Répétiteur

Maquillage

En charge de la production

Coiffure

Autre

Stage Manager

Choeur

Orchestre

Poet

Coach vocal

Prof

Photographer

Diffusion

Wig & Makeup Designer

Illustrator

Writer

Writing and performance

Chorus Director

Orchestra Operations

Extra

Singer

Ténor

Basse

Contralto

Mezzo-soprano

Baryton

Baryton-basse

Soprano

Parlé

Voix d'enfant

Rôle muet

Alto

Agreed Trailer

The throne has been usurped. The exiled king, Bertarido, is now believed dead. As Rodelinda mourns her husband, Grimoaldo the usurper moves to make her his queen - yet all is not as it seems... 

Everyone has a plan, but only one can rule. First performed in London in 1725, this production by Director Jo Davies and Designer Joanna Parker shows us how the issues explored in Handel’s Rodelinda still resonate today. The RCM look forward to presenting this operatic gem under the baton of Michael Rosewell.

Tom Scott-Cowell

Crédits de représentation

Performances passées en vedette

Vidéos liées

Photos en vedette

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