Creidmheasanna feidhmíochta
Léirithe le Teacht Inniu Ar Aghaidh
Léirithe san am a chuaigh thart 1999 — Inné
La Reine-garçon, Bilodeau
L'Opéra de MontréalChancellor Axel Oxenstierna
Féach ar an bhfoireann agus an fhoireannIX– Abono Sinfónico, RachmaninoffVilla-LobosStravinsky
Orquesta de la Comunidad de Madridbaritone
Féach ar an gclár, an fhoireann agus an fhoireannGreat Orchestras of the World, Britten
Festival EnescuLieutenant Ratcliffe
Féach ar an bhfoireann agus an fhoireannLéirithe san am atá caite
La Reine-garçon, Bilodeau
L'Opéra de MontréalChancellor Axel Oxenstierna
Féach ar an bhfoireann agus an fhoireann
IX– Abono Sinfónico, RachmaninoffVilla-LobosStravinsky
Orquesta de la Comunidad de Madridbaritone
Féach ar an gclár, an fhoireann agus an fhoireann
Léirithe le Teacht
28ORCAM. Sinfónico-Coral IX, RachmaninoffVilla-LobosStravinsky
Auditorio Nacional de MúsicaBaritone
Féach ar an gclár, an fhoireann agus an fhoireannEin deutsches Requiem, op. 45 (A German Requiem), Brahms
Malmö Symphony OrchestraBaritone
Féach ar an bhfoireann agus an fhoireannLa Reine-garçon, Bilodeau
Opéra de MontréalChancellor Axel Oxenstierna
Féach ar an bhfoireann agus an fhoireannIntro showreel
2
Daniel Okulitch: Lessons in Love and Violence
Beathaisnéis
Lauded as "flat out brilliant" by Opera News, Canadian bass-baritone Daniel Okulitch is a leading interpreter of Mozart roles, most notably Don Giovanni, Almaviva, and Figaro, which he has performed at New York City Opera, Teatro Colón, Los Angeles Opera, Santa Fe Opera, Palm Beach Opera, Moscow Philharmonic, Opera Warsaw, Vancouver Opera, Dallas Opera, New Orleans Opera, Portland Opera, Michigan Opera Theater, Hawaii Opera, Manitoba Opera, and Lyric Opera Kansas City. Okulitch has also equally excelled in creating leading roles in contemporary opera, most notably the roles of Ennis del Mar in Charles Wuorinen’s Brokeback Mountain at Teatro Real in Madrid and New York City Opera; Mark Rutland in Nico Muhly’s Marnie at English National Opera; Seth Brundle in Howard Shore's The Fly at the Th
