Sein wir wieder gut - Emilie Renard, Mezzo-soprano
Krediti ta' prestazzjoni
Prestazzjonijiet li ġejjin Illum 'il quddiem
Prestazzjonijiet Passat 2010 — Ilbieraħ
Hänsel und Gretel (Hansel and Gretel), Humperdinck
Theater MagdeburgHänsel (Hansel)
Ara l-cast u l-ekwipaġġ-
Lessons in Love and Violence, Benjamin
Cité de la Musique-Philharmonie2. Witness (Witness 2)
Ara l-cast u l-ekwipaġġDer Zaunkönig und die silberne Flöte, Kanefzky
Theater MagdeburgErzählerin/Sängerin
Ara l-cast u l-ekwipaġġ-
Juditha Triumphans (Judith Triumphant), Vivaldi
Innsbrucker Festwochen der Alten MusikAbra
Ara l-cast u l-ekwipaġġAlice's Adventures Under Ground, Barry
Theater MagdeburgQueen of Hearts + 1 rwoli
Ara l-cast u l-ekwipaġġDehru wirjiet tal-passat
Hänsel und Gretel (Hansel and Gretel), Humperdinck
Theater MagdeburgHänsel (Hansel)
Ara l-cast u l-ekwipaġġ-
Lessons in Love and Violence, Benjamin
Cité de la Musique-Philharmonie2. Witness (Witness 2)
Ara l-cast u l-ekwipaġġ
Der Zaunkönig und die silberne Flöte, Kanefzky
Theater MagdeburgErzählerin/Sängerin
Ara l-cast u l-ekwipaġġ
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Juditha Triumphans (Judith Triumphant), Vivaldi
Innsbrucker Festwochen der Alten MusikAbra
Ara l-cast u l-ekwipaġġPrestazzjonijiet li ġejjin
19Lyubov k tryom apelsinam (The Love for Three Oranges), Prokofiev
Theater MagdeburgNicoletta
Ara l-cast u l-ekwipaġġLe nozze di Figaro (The Marriage of Figaro), Mozart
Theater MagdeburgCherubino
Ara l-cast u l-ekwipaġġSieg der Schönheit (Victory of Beauty), Telemann
Theater MagdeburgMelite
Ara l-cast u l-ekwipaġġDer kleine Prinz, Valtinoni
MusikTheater an der WienDer kleine Prinz
Ara l-cast u l-ekwipaġġĠim16:00
Vienna, AustriaĠim18:00
Vienna, AustriaĦad14:00
Vienna, AustriaĦad16:00
Vienna, AustriaTli10:30
Vienna, Austria
Bijografija
Anglo-French mezzo-Soprano Emilie Renard exploded onto the international performing scene by winning first prize in the 2013 Antonio Cesti Competition at the Innsbruck Festival. A Britten Pears Young Artist in 2010, Emilie Renard’s prowess as a recitalist was further demonstrated by her award of the Premier Prix de la Mélodie Française, at the 22nd Concours International de Chant de Marmande, where she also carried off the overall First Prize for Women’s Voices. Having already made her professional debut in Richard Jones’ famed production for English National Opera of Martinů’s Julietta, her repertoire embraces five centuries of music, from Amore in Monteverdi’s L’incoronazione di Poppea (“… a remarkably convincing teenage boy”) and Purcell’s Dido (“… the pure musical expression of a hear
