Creidmheasanna feidhmíochta
Léirithe le Teacht Inniu Ar Aghaidh
Léirithe san am a chuaigh thart 2009 — Inné
BAROCK-GALA - Benefizkonzert für Energizing Ukraine, TelemannHändelBortnyansky
MusikvereinSoloist + 1 ról
Féach ar an gclár, an fhoireann agus an fhoireannOrf Rso Wien, BartókDvořákJanáček
Musikvereinmezzo-soprano (alto)
Féach ar an gclár, an fhoireann agus an fhoireannJ.S. BACH: Pasión según S. MATEO, Bach, J. S.
Fundación ExcelentiaAlto (Mezzo-soprano)
Féach ar an bhfoireann agus an fhoireannDon Carlo (Italian version), Verdi
Internationale MaifestspieleLa Principessa Eboli (Princess Eboli)
Féach ar an bhfoireann agus an fhoireannLéirithe san am atá caite
BAROCK-GALA - Benefizkonzert für Energizing Ukraine, TelemannHändelBortnyansky
MusikvereinSoloist + 1 ról
Féach ar an gclár, an fhoireann agus an fhoireann
Orf Rso Wien, BartókDvořákJanáček
Musikvereinmezzo-soprano (alto)
Féach ar an gclár, an fhoireann agus an fhoireann
J.S. BACH: Pasión según S. MATEO, Bach, J. S.
Fundación ExcelentiaAlto (Mezzo-soprano)
Féach ar an bhfoireann agus an fhoireann
Léirithe le Teacht
7Fiddler on the Roof, Bock
Kyiv Operetta TheatreChava
Féach ar an bhfoireann agus an fhoireannTudors Trilogy - Ana Bolena, Donizetti
Grand Théâtre de GenèveSmeton (Mark Smeaton)
Féach ar an bhfoireann agus an fhoireannIfigenia in Aulide, Porpora
Bayreuth Baroque Opera FestivalClitennestra
Féach ar an bhfoireann agus an fhoireann
Beathaisnéis
The press has already taken her to their heart: “fulminant, brilliant, beautiful voice” (Das Opernglas), “a touching mezzo” (Süddeutsche Zeitung), “…a treat for the ears and the eyes…” (WAZ). The young mezzo-soprano Lena Belkina is already in demand all over the world. The 2017 summer season saw her debuting in Carmen at the Bregenz Lake Festival, a role in which she will be back in 2018. Bevor that, she gave a Belcanto Recital at the Bad Kissinger Summer 2017. The upcoming season 2017/18 includes her appearance at the Grand Théatre de Genève in Rossini’s Barbiere di Siviglia, after that Lena will be travelling to Brussels for concerts of Tancredi/Rossini. Spring starts for her as Nicklausse in Les contes d’Hoffmann, returning to the New National Theatre of Tokyo, where she had already bee
