María José Montiel: "Voce di donna o d'angelo" (Ponchielli's "La Gioconda")
Léirithe san am a chuaigh thart 1991 — Inné
La vestale (The Vestal Virgin), Spontini
Thessaloniki Concert HallLa Grande Vestale (The Great Vestal)
Féach ar an bhfoireann agus an fhoireannKunst trifft Kunst: The Spanish Soul!, Various
Staatstheater am GärtnerplatzMezzo-soprano
Féach ar an bhfoireann agus an fhoireann-
María Moliner, Fons
Teatro Lírico Nacional de la ZarzuelaMaría Moliner
Féach ar an bhfoireann agus an fhoireannSymphony No. 2 in C Minor, ("Resurrection Symphony"), Mahler
Mezzo-soprano (Mezzo-Soprano)
Féach ar an bhfoireann agus an fhoireannConcerto de Páscoa (Easter Concert), Mahler
Teatro Nacional de São CarlosMezzo-soprano (Mezzo-Soprano)
Féach ar an bhfoireann agus an fhoireannMaría Moliner, Fons
Festival de Teatro Lírico Español Teatro CampoamorMaría Moliner
Féach ar an bhfoireann agus an fhoireannLa vestale (The Vestal Virgin), Spontini
Thessaloniki Concert HallLa Grande Vestale (The Great Vestal)
Féach ar an bhfoireann agus an fhoireannMaría Moliner, Fons
Teatro Lírico Nacional de la ZarzuelaMaría Moliner
Féach ar an bhfoireann agus an fhoireannSymphony No. 2 in C Minor, ("Resurrection Symphony"), Mahler
Mezzo-soprano (Mezzo-Soprano)
Féach ar an bhfoireann agus an fhoireannConcerto de Páscoa (Easter Concert), Mahler
Teatro Nacional de São CarlosMezzo-soprano (Mezzo-Soprano)
Féach ar an bhfoireann agus an fhoireannMaría Moliner, Fons
Festival de Teatro Lírico Español Teatro CampoamorMaría Moliner
Féach ar an bhfoireann agus an fhoireannFinalist in the Grammy prizes for her recently re-released CD Modinha, magazines such as Opera News (USA), Ópera Actual (Spain), Opéra Magazine (France) and L’Opera (Italy) regard María José Montiel as one of the great mezzo-sopranos of the day. In 2014 and 2015 she has performed Carmen in Israel conducted by Zubin Mehta, a character which she has sung in the most important opera houses in Switzerland, Italy, Germany, France, Spain, Japan, China and the United States. It was Bizet’s gipsy that transformed her into an international sensation and her habitual collaborations with Riccardo Chailly on music such as Verdi´s Requiem (Vienna, Frankfurt, Milan, Budapest, Tokyo and Leipzig) have consolidated her reputation. In July 2015 she has debuted the rol of Ulrica in Verdi's Un ballo in masch