André Barbe / Рецензии

Most crucial to the evening’s success was Diego Martin-Etxebarria, Chemnitz’s principal resident conductor, who expertly marshalled Verdi’s marches and choruses while highlighting subtleties of orchestration in between. The Met’s monumental, literal-minded “Aida” has accustomed me not to think too much about Verdi’s final grand opera; the team in Chemnitz goes considerably deeper.