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Priscilla, Queen of the Desert
D: Christoph Drewitz
C: Tom Bitterlich
Εκμαγείο: Daniela Dett, Nina Weiß, Lukas Sandmann, Danilo Brunetti, Christian Fröhlich, Aloysia Astari, Susanne Rietz, Wei-Ken Liao, Celina dos Santos, Brittany Young, Karsten Kenzel, David Arnsperger, Gernot Romic, John F Kutil, Judith Jandl, Hanna Kastner
Εθνική πρεμιέρα
PRISCILLA – Musical by Stephan Elliott and Allan Scott. Austria First performance / premiere

Tick ​​( Karsten Kenzel ) is torn between family and travesty with many nuances; David Arnsperger plays the bourgeois solid, almost sober "Bernadette" with care and finesse, and Gernot Romic the colorful bird Adam, who shines through the most colorful and craziest performances in this trio, which is not only thanks to the costume department. In the course of the play, Bob joins them, a skilled car (bus) mechanic whose life takes a turn through the new friends - John F. Kutil in sympathetic stage presence.

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02 Ιανουάριος 2022onlinemerker.commerker
D: Simon Eichenberger
C: Tom Bitterlich
Εκμαγείο: Markus Raab, Tomaž Kovačič, Judith Jandl, Stephany Peña, Raphael Naveau, Linda Krischke, Amy Van Looy, Vaida Raginskyte, Nina Weiß, Celina dos Santos, Dean Welterlen, David Arnsperger, Karsten Kenzel, Christian Fröhlich, Lukas Sandmann, Sam Madwar, Martin Berger, Christian Bartels, Gernot Romic, Daniela Dett, Luzia Nistler, Hanna Kastner, Niklas Schurz, Michael Souschek, Max Niemeyer, Ulf Bunde, Bonifacio Galván, Marius Mocan
TITANIC THE MUSICAL at Landestheater Linz

Simon Eichenberger ( Director/ Choreographer) used every inch of the Landestheaters huge stage to present the show's real star, the ship itself. Unique set designs ( by Charles Quiggin) combined with all those different stories, from First Class to the Commanders Bridge down to the Third Class, many of them seeking a better world and aiming for their personal American Dream. A heartbreaking moment to witness these passengers boarding the ship, full of hope and joy, already knowing that most of them had to find death instead of the new world. Of course, everybody knows how it has to end, but you are still on the edge of your seat, hoping for a surprising turn-around.

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07 Φεβρουάριος 2022www.broadwayworld.comMartin Ganeider

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