Creidmheasanna feidhmíochta
Léirithe san am a chuaigh thart 2009 — Inné
Les mamelles de Tirésias (The Breasts of Tiresias), Poulenc
Ópera de OviedoChoreographer
Féach ar an bhfoireann agus an fhoireannAmahl and the Night Visitors, Menotti
Stage director + 2 ról
Féach ar an bhfoireann agus an fhoireannThe Spiritual Voices of Women, Various
Lyric Ensemble of DelhiStage director + 3 ról
Féach ar an bhfoireann agus an fhoireannLady, Be Good (Lady be good), Gershwin
Teatro Lírico Nacional de la ZarzuelaAuxiliary to the stage director
Féach ar an bhfoireann agus an fhoireannLes mamelles de Tirésias (The Breasts of Tiresias), Poulenc
Gran Teatre del LiceuChoreographer
Féach ar an bhfoireann agus an fhoireannEl rey que rabio (The Mad King), Chapí
Palau de les Arts Reina SofiaChoreographer
Féach ar an bhfoireann agus an fhoireannLéirithe san am atá caite
Amahl and the Night Visitors, Menotti
Stage director + 2 ról
Féach ar an bhfoireann agus an fhoireann
The Spiritual Voices of Women, Various
Lyric Ensemble of DelhiStage director + 3 ról
Féach ar an bhfoireann agus an fhoireannLady, Be Good (Lady be good), Gershwin
Teatro Lírico Nacional de la ZarzuelaAuxiliary to the stage director
Féach ar an bhfoireann agus an fhoireannIntro showreel
1
Diniz Sanchez choreographer and performer
Físeáin léirithe faoi thrácht
9
Beathaisnéis
Born in Lisbon, Portugal, Diniz Sanchez studied dance and choreography in the Superior School of Dance and Forum Dança (Lisbon) and Centre Chorégraphique de Montpellier - Mathilde Monnier (France), with a CNC scholarship (2000). Dancer/performer for several companies in Portugal, France, Belgium and India since 1994, he started creating his own work spanning dance, theatre, video, singing, performance art.... Creator and director for Lua Company since its creation in 2004. Diniz has presented pieces in Portugal, Spain, France, India, Bangladesh and Sri Lanka. Since 2006 he has been developing the character Spicy Tutuboy based on whom he has done several performances questioning identity, gender, sexualities, nationalisms, etc. Since 2007 he started working in the Opera world, mostly col
