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Biographie  Ildar Abdrazakov has established himself as one of opera’s most sought-after basses. Since making his debut at the Teatro alla Scala in Milan in 2001 at 25, the Russian native has become a mainstay at leading houses worldwide, including New York’s Metropolitan Opera, Paris National Opera, the Vienna State Opera and Munich’s Bava...read more

Détails de la représentation:

Centre Stage Artist Management

Biographie  Ildar Abdrazakov has established himself as one of opera’s most sought-after basses. Since making his debut at the Teatro alla Scala in Milan in 2001 at 25, the Russian native has become a mainstay at leading houses worldwide, including New York’s Metropolitan Opera, Paris National Opera, the Vienna State Opera and Munich’s Bava...read more

Détails de la représentation:

Centre Stage Artist Management
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  • Répertoire (20)
Compositeur et œuvreRôleProductions
Beethoven
FidelioDon Fernando1
Missa SolemnisBass1
Bellini
I Capuleti e i MontecchiLorenzo1
La sonnambulaIl conte Rodolfo1

Vidéos

Critiques

the Metropolitan Opera revived Michael Grandage's 2011 production of Don Giovanni, which sets the action against a curved, sliding wall of louvered doors that (to this writer) recalls the façade of certain seedy motels in Wildwood, New Jersey. The show's biggest success: Ildar Abdrazakov, whose bellowing, hyper-testosteroned take on the title character made him an energetic and charismatic leading man.
Paul J. Pelkonen
Russian bass Ildar Abdrazakov (Borodina's husband, for those keeping score at home) made a cheery company debut as Mustafà, grinning from under his mustache in imbecilic self-regard and singing with appealing breeziness. Abdrazakov's tone is far lighter than the phrase "Russian bass" suggests; the lack of any hint of actual menace in his performance meshed well with the production's overall approach.
Joshua Kosman

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