Creidmheasanna feidhmíochta
Léirithe san am a chuaigh thart 2001 — Inné
Die Zauberflöte (The Magic Flute), Mozart
Theater TrierTamino
Féach ar an bhfoireann agus an fhoireannDon Pasquale, Donizetti
Theater und Orchester Neubrandenburg / NeustrelitzErnesto
Féach ar an bhfoireann agus an fhoireannIl barbiere di Siviglia (The Barber of Seville), Rossini
Wuppertaler BühnenIl Conte d'Almaviva (The Count of Almaviva)
Féach ar an bhfoireann agus an fhoireann-
Léirithe san am atá caite
Die Zauberflöte (The Magic Flute), Mozart
Theater TrierTamino
Féach ar an bhfoireann agus an fhoireannIl barbiere di Siviglia (The Barber of Seville), Rossini
Wuppertaler BühnenIl Conte d'Almaviva (The Count of Almaviva)
Féach ar an bhfoireann agus an fhoireann-
Manon Lescaut, Puccini
Festspielhaus Baden-BadenIl maestro di ballo (The dance master)
Féach ar an bhfoireann agus an fhoireann
Mozart’s “Magic Flute” from Baden-Baden, Mozart
Berliner PhilharmonikerMonostatos (Monostastos)
Féach ar an bhfoireann agus an fhoireann
Beathaisnéis
The young British tenor James Elliott was born in London, where he studied voice at the Royal Academy of Music. He made his debut as the First Prisoner in Fidelio at Glyndebourne under Sir Simon Rattle, followed by Fenton (Falstaff, Verdi) for Royal Academy Opera. James was a member of the Zurich Opera Studio from 2003-5 where he participated in masterclasses with Francisco Araiza and Reri Grist, for the studio he appeared as Don Giocondo (La Pietra del Paragone, Rossini) in a production that guested in Genoa (Palazzo Ducale) and Mesières, and was Tamino in the Magic Flute for children in Zurich Opera, a production which toured throughout Switzerland and was recorded for DVD. During that time, James participated in many of Zurich Opera's main productions as well as guesting in the Ticino
