Matt Boehler • "This Star" from BECOMING SANTA CLAUS (Mark Adamo)
Léirithe le Teacht Inniu Ar Aghaidh
Léirithe san am a chuaigh thart 2002 — Inné
L´Héroïque symphonie no 3 de Beethoven par Kent Nagano, StravinskyBeethoven
Montreal Symphony OrchestraLe Père
Féach ar an gclár, an fhoireann agus an fhoireannRoméo et Juliette (Romeo and Juliet), Gounod
Toledo OperaFrère Laurent (Friar Laurent)
Féach ar an bhfoireann agus an fhoireannThe Falling and The Rising, Redler, Z.
Des Moines Metro OperaColonel + 1 ról
Féach ar an bhfoireann agus an fhoireannThe Love for Three Oranges, Prokofiev
Des Moines Metro OperaKuharka (Cook)
Féach ar an bhfoireann agus an fhoireannLe nozze di Figaro (The Marriage of Figaro), Mozart
Madison OperaFigaro
Féach ar an bhfoireann agus an fhoireannThe Lord of Cries, Corigliano
Odyssey OperaDr. Abraham van Helsing
Féach ar an bhfoireann agus an fhoireannL´Héroïque symphonie no 3 de Beethoven par Kent Nagano, StravinskyBeethoven
Montreal Symphony OrchestraLe Père
Féach ar an gclár, an fhoireann agus an fhoireannRoméo et Juliette (Romeo and Juliet), Gounod
Toledo OperaFrère Laurent (Friar Laurent)
Féach ar an bhfoireann agus an fhoireannThe Falling and The Rising, Redler, Z.
Des Moines Metro OperaColonel + 1 ról
Féach ar an bhfoireann agus an fhoireannThe Love for Three Oranges, Prokofiev
Des Moines Metro OperaKuharka (Cook)
Féach ar an bhfoireann agus an fhoireannLe nozze di Figaro (The Marriage of Figaro), Mozart
Madison OperaFigaro
Féach ar an bhfoireann agus an fhoireannPelléas et Mélisande (Pelléas and Mélisande), Debussy
Des Moines Metro OperaArkel
Féach ar an bhfoireann agus an fhoireannBulrusher, Stookey
West Edge OperaSchoolch
Féach ar an bhfoireann agus an fhoireannAcis and Galatea, Händel
Florentine OperaPolyphemus
Féach ar an bhfoireann agus an fhoireannHailed by The New York Times as "a bass with an attitude and the goods to back it up," Matt Boehler is a singer known in the worlds of opera and theater for his captivating, dynamic performances and his long-earned reputation as an inventive and truly collaborative artist. He has appeared as a principal artist with The Metropolitan Opera, New York City Opera, Dallas Opera, Santa Fe Opera, Minnesota Opera, Spoleto Festival, Théâtre Royal de la Monnaie, Theater St. Gallen, and Canadian Opera Company, as well as a soloist with the New York Philharmonic, Baltimore Symphony Orchestra, Chicago Symphony Orchestra, Minnesota Orchestra, and the New York Festival of Song, among many others. In addition to bringing "power and brilliant tone" (Opera News) to staples of the standard repertoire, Matt i