Highland Gate

United States

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Asheville Symphony Orchestra

Asheville Symphony Chorus

Asheville Symphony Youth Orchestra

Orchestra

Approved

2023/24

2022/23

2021/22

2019/20

2018/19

Organization contributor ID

include virtual contributors

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Theorbist

Cornettist

Viola d’amore Player

Composer

Conductor

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Mezzo-soprano

Singer

Baritone

Contralto

Soprano

Bass-baritone

Countertenor

Tenor

Spoken

Child vocalist

Silent

Alto

Continuo

Show

The Asheville Symphony was born of a passion, formed in 1960 by a group of volunteer musicians — its early concertos filling the halls of local churches and school auditoriums. At that time, and for several years after, the Symphony had no manager and no resident conductor — only a handful of passionate performers that wished to share the classics (and their talents) with the community.

Over the next ten years, the Symphony grew both in size and popularity, adding a part-time resident manager and conductor, forming the choral and youth ensembles, creating the Symphony Guild, developing a regular season with subscription sales and introducing paid guest artists to the mix. It was during this decade that the Symphony found its home on stage at the 2,354-seat Thomas Wolfe Auditorium.

In the late 1970s, the Symphony picked up even more steam, paying all of its musicians for the first time, hiring its first full-time manager and, in 1980, its first full-time resident conductor, Robert Hart Baker, whose 24-year tenure dramatically increased the orchestra’s size, quality and exposure in the community. When Dr. Baker announced his retirement, the Symphony launched a search and audition process that, after two years, found a match in Daniel Meyer, who was hired as the organization’s music director in 2004. Highlights of his tenure include launching the hugely popular Asheville Amadeus festival, releasing two recordings — Asheville Symphony Sessions and Mozartistic — and bringing in international stars Emanuel Ax and Midori for performances with the symphony.

Twelve successful years later, in 2016, the process began again, as Meyer prepared to conclude his tenure with the Symphony. After launching a search that garnered nearly 400 applications and programming a season of competitive auditions, the Asheville Symphony selected Darko Butorac to lead the orchestra. Butorac conducted his first Masterworks concert as the Symphony’s new music director in September 2018.

Asheville’s arts-focused community — home to generations of writers, musicians and artists — has sustained the Asheville Symphony for nearly 60 years, embracing the orchestra’s endless creativity, artistic expression and collaborative explorations.

English

Asheville Symphony Orchestra

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