今後の公演 今日から
過去の公演 2009 — 昨日
Offenbach: Orpheus in The Underworld, Offenbach
Elbphilharmonie & Laeiszhalle HamburgL'Opinion Publique (Public Opinion)
キャストとスタッフを見るSilvester & Neujahr: Orpheus in der Unterwelt, Offenbach
NDR Elbphilharmonie OrchesterL'Opinion Publique (Public Opinion)
キャストとスタッフを見る-
Festival Musiques Interdites / Révoltes: Zaderatski - Chostakovitch, ZaderatskiShostakovich
Opéra de MarseilleMezzo-soprano
番組、キャスト、スタッフを見るFestival Musiques Interdites / À la mémoire des anges..., MahlerBerg
Opéra de MarseilleSoloist
番組、キャスト、スタッフを見るOffenbach: Orpheus in The Underworld, Offenbach
Elbphilharmonie & Laeiszhalle HamburgL'Opinion Publique (Public Opinion)
キャストとスタッフを見るSilvester & Neujahr: Orpheus in der Unterwelt, Offenbach
NDR Elbphilharmonie OrchesterL'Opinion Publique (Public Opinion)
キャストとスタッフを見る-
Festival Musiques Interdites / Révoltes: Zaderatski - Chostakovitch, ZaderatskiShostakovich
Opéra de MarseilleMezzo-soprano
番組、キャスト、スタッフを見るFestival Musiques Interdites / À la mémoire des anges..., MahlerBerg
Opéra de MarseilleSoloist
番組、キャスト、スタッフを見るConcert de gala du dixième anniversaire du festival Musique aux Mirabelles, Gounod
Musique aux MirabellesFaust
キャストとスタッフを見るAthens State Orchestra – Neeme Järvi, Beethoven
Athens-Epidaurus FestivalMezzo-Soprano
キャストとスタッフを見るMadama Butterfly (Madame Butterfly), Puccini
Opéra National de ParisSuzuki
キャストとスタッフを見るAude Extrémo started studying singing at the CNR of Bordeaux, then she entered the Atelier Lyrique of the Opera Bastille in Paris in 2008. Laureate of numerous competitions, she won the first prize of the ‘Amis du Grand Théâtre de Bordeaux’ competition in March 2007, as well as the first prize of the ‘Jeunes talents lyriques’ competition in April 2009, chaired by Michel Plasson. She contributed to the founding of the association ‘Opéra Bastide’ in Bordeaux, within which she played the title role of Carmen, in June 2006. She also interpreted the role of Suzuki (in Madama Butterfly) at the Antibes festival, a Musician (in Manon Lescaut) at the Marseille Opera, or even Lieschen (in Faust by Fénelon) at the Paris' Opera. She tackled the role of the Page (in Salome) at the Opera of Monte