Calvin Richardson / 評論

Not all choreographers are good directors, but Christopher Wheeldon is. Even when dealing with a tricky text such as Laura Esquivel’s magical realist novel Like Water for Chocolate, his is a steady hand. His choreography seems in a telepathic relationship with the melody and mystery of Joby Talbot’s score, while Bob Crowley’s designs, inspired by Mexican architect Luis Barragán, give a sense of heat and isolation, and some visually arresting coups de theatre.