Saothair cheoil
1Creidmheasanna feidhmíochta
Léirithe le Teacht Inniu Ar Aghaidh
Léirithe san am a chuaigh thart 2015 — Inné
Enigma Variations, Williams, GraceMathias, W.Elgar
BBC Welsh National OrchestraHarp
Féach ar an gclár, an fhoireann agus an fhoireannIntroduction and Allegro for Strings, op. 47 (Introduction and Allegro for Strings, Op. 47), Elgar
Gaelic Symphony in E Minor, Op. 32, Beach, A.
Welsh Dances, Suite No. 1, op. 15 (Welsh Dances (Danzas Galesas), Suite no 1 op 15), Hoddinott
Celtic Concerto, Finch, C.
Orquesta Real Filharmonía de GaliciaProm 9: The Two Scheherazades, RavelBeamish, S.Rimsky-Korsakov
BBC Welsh National OrchestraHarp
Féach ar an gclár, an fhoireann agus an fhoireannBBC NOW On The Road 2017-18 Swansea International Festival, CoplandJenkinsDvořák
BBC Welsh National OrchestraHarp
Féach ar an gclár, an fhoireann agus an fhoireannBBC NOW South America 2015 BBC NOW In Montevideo, GinasteraTchaikovsky, P. I.Mussorgsky
BBC Welsh National OrchestraHarp
Féach ar an gclár, an fhoireann agus an fhoireannBBC NOW South America 2015 BBC NOW In Santiago, Mathias, W.GinasteraTchaikovsky, P. I.Britten
BBC Welsh National OrchestraHarp
Féach ar an gclár, an fhoireann agus an fhoireannLéirithe le Teacht
16Catrin Finch (harp) with Aoife Ní Bhriain (violin),
Petworth FestivalCatrin Finch - harp & Aoife Ní Bhriain - violin,
South Downs Summer Music- International FestivalCatrin Finch harp Aoife N. Bhriain violin, Bach, J. S.
Ryedale FestivalAoife Ní Bhriain Violin Catrin Finch Harp ¦ Telyn,
Fishguard Festival of MusicBeathaisnéis
“It pushes the boundaries,” says Catrin Finch. “It’s not really harp-based at all, so it’s a bit of a gamble.” She’s describing her lock-down collaboration with the Cardiff-based electronic musician and producer Lee House. “What I’m trying to do in this next phase of my career, is maybe move away from being solely a harpist.” A bit of a departure for some perhaps, but for Catrin Finch, known chiefly as the most gifted classical harp virtuoso of her generation, making an album with “an Ibiza chill-out kind of vibe” is more than a bit of a gamble. It’s another bold departure from the well-paved classical music highway, onto uncharted byways bound for terra incognita. Over the past decade, such diversions have gradually become par for course for the ‘Queen of Harps’ (queen of the understa
