A San Francisco troupe is spicing up forgotten baroque operas
This was an elaborately choreographed Ifigenia in Aulide, one that held our attention and emphasized the Greek notion of Nemesis.
Outstanding and delightful... a useful reminder of the operatic riches that remain yet uncovered beyond the constant revivals of Traviata and Bohème
The breadth of Bay Area musical talent was on full display here and the diversity of sound was impressive
Ars Minerva’s sophomore outing on May 21–22, Carlo Pallavicino’s The Amazons in the Fortunate Isles, promises an equally satisfying excavation of a Venetian tragicomedy. Bursting with catastrophe, innuendo, blatant lies, sex, humor and, first and foremost, excellent music, Amazons has not been seen since its premiere in 1679.
A Conversation with Ars Minerva’s Céline Ricci
This revival of Castrovillari’s La Cleopatra was a rare treat for San Francisco audiences
And getting to the heart of the matter: the music is extremely beautiful, in that austere, 17th c. Italian style. If you've heard any of the Monteverdi operas, well, you have some familiarity with what La Cleopatra sounds like. I counted three separate rage arias, which might be some kind of record, not to mention love duets, quite a bit of hilarious flirtiness from the nurse, and a gorgeous lament from Cleopatra
