Datozen Emanaldiak Gaur Aurrera
Iraganeko emanaldiak 2013 — Atzo
L'Amant anonyme (L'Amant Anonyme), Bologne Chevalier De Saint-Georges
Boston Lyric OperaLighting designer
Ikusi antzezle eta ekipoaThe Nutcracker, op. 71, Tchaikovsky, P. I.
Jacobs School of Music (Indiana University)Lighting designer
Ikusi antzezle eta ekipoaHänsel und Gretel (Hansel and Gretel), Humperdinck
Opera San AntonioLighting designer
Ikusi antzezle eta ekipoaDer fliegende Holländer (The Flying Dutchman), Wagner, Richard
Teatro Comunale di BolognaVideo designer
Ikusi antzezle eta ekipoaLa Fille du régiment (The Daughter of the Regiment), Donizetti
Utah OperaLighting designer
Ikusi antzezle eta ekipoaL'Amant anonyme (L'Amant Anonyme), Bologne Chevalier De Saint-Georges
Boston Lyric OperaLighting designer
Ikusi antzezle eta ekipoaThe Nutcracker, op. 71, Tchaikovsky, P. I.
Jacobs School of Music (Indiana University)Lighting designer
Ikusi antzezle eta ekipoaHänsel und Gretel (Hansel and Gretel), Humperdinck
Opera San AntonioLighting designer
Ikusi antzezle eta ekipoaLa Fille du régiment (The Daughter of the Regiment), Donizetti
Utah OperaLighting designer
Ikusi antzezle eta ekipoaAida, Verdi
Oper im SteinbruchLighting designer
Ikusi antzezle eta ekipoaaz.20:30
St Margarethen, Austriaog.20:30
St Margarethen, Austriaol.20:30
St Margarethen, Austrialr.20:30
St Margarethen, Austriaog.20:30
St Margarethen, Austriaol.20:30
St Margarethen, Austrialr.20:30
St Margarethen, Austriaig.20:30
St Margarethen, Austriaog.20:30
St Margarethen, Austriaol.20:30
St Margarethen, AustriaDriscoll is a lighting and projection designer in New York City. Originally from Texas, Driscoll has been in new york for a decade and a half working with some of the best theatre and opera artists in the world. Driscoll recently designed the projections for The Golden Cockerel at Santa Fe Opera. In 2015 Driscoll had his Metropolitan Opera debut with La Donna del Lago. Other venues in NYC include Ars Nova, The Mint, The Ohio, La Mamma, Lincoln Center Jazz, & Gotham Chamber Opera. Driscoll’s work is seen frequently in regional opera & theatre. In 2015 Driscoll designed the lighting for The Colored Museum at The Huntington Theater Company, projections for Next to Normal at Baltimore’s Center Stage, and lighting for The Barber of Seville at Philadelphia Opera. Other companies that Driscoll h