Минали изпълнения 2006 — Вчера
Eötvös par Eötvös | Lambert Wilson, Eötvös
Maison de la Radio et de la MusiqueTenor
Вижте програмата, актьорите и екипаKonzerthausorchester Berlin, Dresdner Kreuzchor, Bach, J. S.
Konzerthaus BerlinTenor
Преглед на артистите и постановъчната трупаKonzerthausorchester Berlin, Dresdner Kreuzchor, Various
Konzerthaus BerlinTenor
Преглед на артистите и постановъчната трупаBriljant vóór Bach: Reinhard Keisers Brockes-Passion, Keiser
Omroep MuziekEvangelist
Преглед на артистите и постановъчната трупаPeter Eötvös, Various
Symphonieorchester des Bayerischen RundfunksTenor
Преглед на артистите и постановъчната трупаDie tote Stadt (The Dead City), Korngold
Nederlandse ReisoperaVictorin
Преглед на артистите и постановъчната трупа-
Eötvös par Eötvös | Lambert Wilson, Eötvös
Maison de la Radio et de la MusiqueTenor
Вижте програмата, актьорите и екипаKonzerthausorchester Berlin, Dresdner Kreuzchor, Bach, J. S.
Konzerthaus BerlinTenor
Преглед на артистите и постановъчната трупаPeter Eötvös, Various
Symphonieorchester des Bayerischen RundfunksTenor
Преглед на артистите и постановъчната трупаDie tote Stadt (The Dead City), Korngold
Nederlandse ReisoperaVictorin
Преглед на артистите и постановъчната трупа-
Haydn Die Schöpfung, Haydn
Janáčkova filharmonie OstravaUriel
Преглед на артистите и постановъчната трупаGerman tenor, Eric Stoklossa, was born in Dresden, where he received early musical training as a member of the renowned Kreuzchor. Various prizes in the national “Jugend Musiziert” competition led to his acceptance at the Carl Maria von Weber Conservatory in Dresden, where he received his diploma in 2006. Studies with Margret Trappe-Wiel and Romelia Lichtenstein led to his operatic debut, first as Lenski in EUGENE ONEGIN and then as Tito in LA CLEMENZA DI TITO in the freshly renovated Kleines Haus of the Dresden State Theater. The international press took notice of Mr. Stoklossa after his much admired portrayal of Aljeja in Janácek’s FROM THE HOUSE OF THE DEAD at the Wiener Festwochen in 2007, directed by Patrice Chéreau and conducted by Pierre Boulez. With this production, he made his deb