Apresentações anteriores 2009 — Ontem
Federico Guglielmo E Accademia D’archi Arrigoni, Graun, J. G.Friedemann BachBach, C. P. E.Mendelssohn
Emilia Romagna FestivalMaestro + 1 funções
Veja programa, elenco e equipeConcerto for Violin and Cello in F major, RV 544, Vivaldi
Concerto for Violin and Cello in B-flat major, RV 547, Vivaldi
Teatro Civico La SpeziaViolin
Veja programa, elenco e equipeI Solisti Filarmonici Italiani, Geminiani, F.VivaldiPaganini, Niccolò
Teatro Comunale di CarpiMaestro + 1 funções
Veja programa, elenco e equipeI Solisti Filarmonici Italiani, TartiniPärtBersanettiCoriglianoCorelli, A.Boccherini, L.GluckKreisler, F.Paganini, Niccolò
Settimana di Musica Sacra di MonrealeMaestro
Veja programa, elenco e equipeFederico Guglielmo E Accademia D’archi Arrigoni, Graun, J. G.Friedemann BachBach, C. P. E.Mendelssohn
Emilia Romagna FestivalMaestro + 1 funções
Veja programa, elenco e equipeI Solisti Filarmonici Italiani, Geminiani, F.VivaldiPaganini, Niccolò
Teatro Comunale di CarpiMaestro + 1 funções
Veja programa, elenco e equipeI Solisti Filarmonici Italiani, TartiniPärtBersanettiCoriglianoCorelli, A.Boccherini, L.GluckKreisler, F.Paganini, Niccolò
Settimana di Musica Sacra di MonrealeMaestro
Veja programa, elenco e equipeConcerto diretto al violino da Federico Guglielmo, Various
Teatro La FeniceMaestro
Veja elenco e equipeThe Paduan violinist Federico Guglielmo is acclaimed by international critics for his “extraordinary versatility” and “mature interpretive confidence”, views which are further confirmed by the appreciation garnered for his live performances and the prizes he has won for his numerous recordings. Winner of the Antonio Vivaldi International Recording Prize, the Boston Globe describes him as “the new star of the ancient music landscape” while the French music magazine Diapason, which awarded him the Diapason d’Or for his recording of Vivaldi concertos, praised his “sparkling virtuosity which provides a cross section of everything of which the violin is capable”. His “brilliant and entertaining” interpretation of Haydn’s Violin Concertos led the American critic R. Maxham to write in Fanfare tha