Operabase - an tagairt dhomhanda do na taibh-ealaíona
ó 1996
ceoldráma . Clasaiceach . Bailé . Ceolchoirmeacha
829,686 Léirithe
2,617 Cuideachtaí
921 Féilte
201,643 Ealaíontóirí
749 Bainisteoirí
do ghairmithe tionscail
Uirlisí Pro do eagraíochtaí ealaíon, gníomhaireachtaí agus ealaíontóirí in opera.
Salzburger Festspiele
Evamaria Wieser
Casting Director at Salzburg Festival
Honestly, I wonder how we managed casting and short-note cancellations before Operabase, but the way of working in theatres, like in all other fields, has changed so much with digitalization. When I started my first job in a theatre a long time ago, my first duty was to read newspapers and opera magazines from the past 2 years, and make lists of who is singing which roles where. We had a big box with file cards for each bigger part, and whenever needs, we consulted these cards. On top, we had our so-called "Bibel", into which my colleague put each performance in handwriting with title, date, conductor, director and all roles + singers ! This was also helpful as thus we knew who had already done our productions. All this had to be done very carefully and accurate, in the same way as you and your colleagues are now doing it now for Operabase, but it was a huge, time-consuming work and the range of information was much smaller. After the first rather limited information about singers, roles and theaters on Operabase (I have been using it from the very beginning), this platform has developped enormously during the past years, offering more and more useful, interesting and different information. Thus it has become an indispensable component of my work. I also find it inspiring for the creative casting process, if used in the right way. On top, it's incredibly helpful for a first availability check, especially in case of cancellations. And I know that many of my colleagues feel the same ! I also want to underline that all people who work for Operabase are doing an excellent job - all information is carefully checked and there are hardly any mistakes. One can definitely rely on the information it offers. I have not always been totally happy with the outlook resp. handling of the pages, but now I have gotten used to and it works extremely well. So I am not just a user, but a fan of Operabase !
Lyric Opera of Kansas City
Brad Trexell
Director of Artistic Administration / Lyric Opera of Kansas City
I have been using Operabase for many years in my work as an artistic administrator for several opera companies. It has been a very useful and accurate shortcut for me, in finding artists who have sung particular repertoire, determining whether artists are already engaged in particular periods, and especially for last-minute replacements for jump-ins due to illness, or cancellations for other reasons. It has been a lifesaver! I look forward to becoming more familiar with the many new and exciting functions of the service.
Cleveland Orchestra
Michael Gandlmayr
Artistic Administrator at Cleveland Orchestra
There are so many moving parts in mounting a successful opera production and in many aspects, it is even more challenging for us as we don’t operate year-round as an opera house. The resources and detailed information that Operabase provides us have been invaluable, from the early stages of research and casting to the inevitable last-minute cancellations.
Opéra Royal de Wallonie - Liège
Veruska Reho
Casting manager at Opéra Royal de Wallonie - Liège
Uso quotidianamente Operabase per ricerche, info e aggiornamenti sugli artisti, sulle agenzie, su debutti di nuovi ruoli o su debutti in nuovi teatri. Uso spesso la sez Casting tool per ricerche sul repertorio degli artisti o in caso di jump in per la ricerca di artisti che hanno già debuttato il ruolo e sono liberi in quel preciso momento. Ho scoperto oggi la funzione Noleggi e la trovo molto interessante, forse si potrebbe sviluppare meglio con l'aggiunta di alcuni filtri.
Detroit Opera
Christine Goerke
Associate Artistic Director
I am always pleased to have the ability to look to Operabase for the most recent information in our industry. The new additions to the casting tool box have been especially helpful. Thanks for making this platform so user friendly and easily accessible.
Teatro Nacional de São Carlos
Ivan van Kalmthout
Teatro Nacional São Carlos (Lisboa)
Ever since Operabase emerged it has been a great help for all of us who are responsible for the casting of singers. The new features will even make it more useful.
Opéra de Toulon
Pierre Ribemont
Artistic administrator Toulon Opera House
It is a chance having such tool. It helps every day to improve our experience and really helpful for the choice we have to make, especially in case of emmergency.
The Metropolitan Opera
Michael Heaston
Assistant General Manager, Artistic at The Metropolitan Opera
Operabase is an indispensable resource for the work we do in casting and artistic planning at The Met. Whether identifying last-minute replacements with the casting tool, viewing casts at other opera houses, or researching individual artists, I rely on Operabase as part of my daily work.
Washington National Opera
Samuel Gelber
Director of Artistic Planning & Operations at The Washington National Opera
Operabase is an important instrument for the contemporary Artistic Administrator’s toolbox. Its vast repository of valuable information and user-friendly interface have made it a beneficial resource in our day-to-day operations at Washington National Opera. Conceiving of suitable talents for our productions has never been easier, thanks in part to the Operabase Casting tool and its real-time amalgamation of artist activity. Operabase.com is an effective contributor to our operational endeavors, and I endorse the platform to opera companies worldwide.
GöteborgsOperan
Göran Gademan
Casting coordinator, Opera of Göteborg (Gothenburg), Sweden
I use Operabase many times, to find a quick replacement for an ill singer, but also when we search for a singer in a certain part later on that we don't have in the ensemble and that is a bit tricky to cast. Often a very demanding role then. In this way, you can see everywhere what happens, who has sung what etc.
Léiriúcháin agus Léirithe
Léirithe inniu
291Oratorio / Orchestral
ConcertTicéid
Free Memorial Day Concert, Brahms
New York PhilharmonicC: Jaap van Zweden
Féach ar an bhfoireann agus an fhoireann
Oratorio / Orchestral
ConcertOibríonn an clár 3Ticéid
8. Orchesterkonzert im Musikverein, ChristouMozartBartók
Oper GrazC: Vassilis Christopoulos
Féach ar an gclár, an fhoireann agus an fhoireann
Lua19:30
Graz, Austria+ 1 dátaí eile (Beal 28)
Opera
ConcertTicéid
Lua20:15
Amsterdam, Netherlands+ 1 dátaí eile (Beal 28)
Vocal / Song cycle
ConcertTicéid
Piano duet Lyudmila Berlinskaya and Arthur Ansel, Various
Zaryadye HallFéach ar an bhfoireann agus an fhoireann
Derived
ConcertFéileMatinéeTicéid
Masterclass – Amaury Coeytaux, Various
Prague Spring FestivalFéach ar an bhfoireann agus an fhoireann
Overture
ConcertTaibhiú DomhandaFéileOibríonn an clár 4Ticéid
Kryštofovy Svatyně, Farrenc, L.MaratkaRavel
Prague Spring FestivalC: Mikko Franck
Féach ar an gclár, an fhoireann agus an fhoireann
Oratorio / Orchestral
ConcertOibríonn an clár 4Ticéid
Schumann 2, Wong, AdelineProkofievSchumann
Tonhalle DüsseldorfC: Alpesh Chauhan
Féach ar an gclár, an fhoireann agus an fhoireann
Opera
StagedFéileTicéid
Vanessa, Barber
Spoleto Festival USAC: Timothy MyersD: Rodula Gaitanou
Féach ar an bhfoireann agus an fhoireann
Lua19:00
Charleston, United States+ 3 dátaí eile (Beal 29, Méit 06, 10)
Opera
Opera in concertMatinéeOibríonn an clár 3Ticéid
Lua14:30
Limoges, France+ 1 dátaí eile (Beal 28)
Oratorio / Orchestral
ConcertTicéid
Opera
StagedMatinéeTicéid
Pippi Longstocking, Wittenbrink
Komische Oper BerlinC: Matthew ToogoodD: Dagmar Manzel
Féach ar an bhfoireann agus an fhoireann
Lua11:00
Berlin, Germany+ 3 dátaí eile (Beal 30, Méit 01, 02)
Oratorio / Orchestral
ConcertTicéid
Joseph Haydn / Les Saisons, Haydn
Cité de la Musique/Philharmonie de ParisC: Jordi Savall
Féach ar an bhfoireann agus an fhoireann
Concerto
ConcertOibríonn an clár 6Ticéid
Queen Elisabeth Competition: Final Violin 2024, Tchaikovsky, P. I.EscaichElgarBrahmsSibeliusShostakovich
Concours Reine Elisabeth - BruxellesC: Antony Hermus
Féach ar an gclár, an fhoireann agus an fhoireann
Lua20:15
Brussels, Belgium+ 5 dátaí eile (Beal 28, 29, 30, 31, Méit 01)
Orchestral
ConcertOibríonn an clár 2Ticéid
Denis Matsuev, Russian National Youth Symphony Orchestra, GriegElgar
Moscow PhilharmonicFéach ar an gclár, an fhoireann agus an fhoireann
Opera
StagedTicéid
Die Zauberflöte, Mozart
Semperoper DresdenC: Gaetano d'EspinosaD: Josef Ernst Köpplinger
Féach ar an bhfoireann agus an fhoireann
Lua19:00
Dresden, Germany+ 22 dátaí eile (Méit 04, 09, 16, Meán 06, 13, 22, Deai 04, Samh 15, 17, 28 2025 Eaná 05, 12, 19, 31, Beal 31, Méit 02, 06)