Næstu sýningar Í dag áfram
Fyrri sýningar 2018 — Í gær
Florencia en el Amazonas (Florencia in the Amazons), Catán
The Metropolitan OperaRosalba
Skoða leikara og mannskapCavalleria rusticana (Rustic Chivalry), Mascagni
Pagliacci, Leoncavallo
Lyric Opera of Kansas CityNedda
Skoða dagskrá, leikarahóp og mannskapA Knee on the Neck, PärtVaughan WilliamsHailstork
The New York Choral SocietySoprano
Skoða dagskrá, leikarahóp og mannskapFlorencia en el Amazonas (Florencia in the Amazons), Catán
The Metropolitan OperaRosalba
Skoða leikara og mannskapCavalleria rusticana (Rustic Chivalry), Mascagni
Pagliacci, Leoncavallo
Lyric Opera of Kansas CityNedda
Skoða dagskrá, leikarahóp og mannskapA Knee on the Neck, PärtVaughan WilliamsHailstork
The New York Choral SocietySoprano
Skoða dagskrá, leikarahóp og mannskapBeethoven’s Fidelio with Dudamel and Deaf West Theatre, Beethoven
LA PhilMarzelline
Skoða leikara og mannskapFidelio, Beethoven
Gran Teatre del LiceuMarzelline
Skoða leikara og mannskapAinadamar, Golijov
The Metropolitan OperaMargarita Xirgu (Young Margarita)
Skoða leikara og mannskapmið19:00
New York City, United StatesLa Bohème, Puccini
The Metropolitan OperaMimì (Mimi)
Skoða leikara og mannskaplau12:30
New York City, United StatesLa Bohème, Puccini
Lyric Opera of ChicagoMusetta
Skoða leikara og mannskaplau19:30
Chicago, United Statesmið14:00
Chicago, United Stateslau19:30
Chicago, United StatesWith a voice described as “firm” and “lusciously coloured” by Opera News and chosen as one of WQXR’s ’20 for 20′ Artists to Watch, soprano Gabriella Reyes is a rising star on the operatic stage. Currently in her final year of the Metropolitan Opera’s Lindemann Young Artist Development Program, Gabriella will appear with the company this season as Liù Turandot and First Lady The Magic Flute. Other highlights include Cio-Cio San Seven Deaths of Maria Callas with the Bayerische Staatsoper, Munich, and Behzad Ranjbaran’s Songs of Eternity with the Montclair Orchestra and David Chan. Highlights of last season include Nella Gianna Schicchi and the High Priestess Aida for the Metropolitan Opera, the latter of which was described as “hair-raising” by the New York Classical Review. Gabriella also