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Gregory Reinhart

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Watch full performance here: The Coronation of Poppea (2010)

Claudio Monteverdi: The Coronation of Poppea  - Preview clip

A cultural commitment by Credit Suisse -------------------------------------------------- ------------------------------ Conductor - Daniele Gatti Production - Matthias Hartmann Stage design - Johannes Schütz Costumes - Victoria Behr Lighting design - Jürgen Hoffmann Choir master - Jürg Hämmerli Orchestra - Orchestra of the Zurich Opera With Emily Magee (Ursula), Sandra Trattnigg (Regina), Stefania Kaluza (Countess Helfenstein); Thomas Hampson (Mathis, the painter), Reinaldo Macias (Albrecht von Brandenburg), Andreas Hörl (Lorenz von Pommersfelden), Benjamin Bernheim (Walter Capito), Gregory Reinhart (Riedinger), Erin Caves (Hans Schwalb), Tomasz Slawinski (Truchsess von Waldburg), Peter Straka (Sylvester von Schaumberg), NN (Der Graf von Helfenstein), Patrick Vogel (Der Pfeifer des Graf von Helfenstein) With the last new production in his time as artistic director of the Zurich Opera House, Alexander Pereira added a work to the repertoire that made operatic history from Zurich, where it was premiered on May 28, 1938. Paul Hindemith composed "Mathis the Painter" in 1934 based on his own text. For him, the opera became a work of confession about the position of the artist in the world. Hindemith also wrestled privately, ostracized by the Nazis in his German homeland, with his intellectual attitude in the midst of war and dictatorship. His symbolic figure is Matthias Grünewald (around 1470 / 75--1528), the creator of the famous Isenheim Altarpiece, who had served the Archbishop of Mainz since 1511. The turbulent epoch of the peasant wars and the religious division at the beginning of the 16th century became synonymous with pre-war Germany. Like Hans Pfitzner in his opera “Palestrina”, Hindemith also conjures up the world of ancient music in “Mathis the Painter”, although his harmonies are a perfect synthesis of the Middle Ages and the modern. His inclination towards Bach, counterpoint and polyphony comes to the fore, as does powerful expressive expression in the Antonius vision. Old German sacred chants are included in the opera and stylistically fit seamlessly into the concept. Burgtheater director Matthias Hartmann, who has already brought out much-discussed productions of “Carmen” and “Rusalka” at our house, will stage Hindemith's artist opera. Under the direction of chief conductor Daniele Gatti, star baritone Thomas Hampson makes his debut in a role that is both musically and dramatically demanding.

MATHIS THE PAINTER - HINDEMITH

singer

펠레아스와 멜리잔드

Arkel

야콥 렌츠

Oberlin

The Rake's Progress

Nick Shadow

Imeneo

Argenio

Der fliegende Holländer

Daland

미카도 (Mikado)

Pooh-Bah

마법의 플루트

Zweiter Geharnischter

L'incoronazione di Poppea

Seneca

L'Argia

Solimano

Father Truelove

K...

Der Untersuchungsrichter

Perelà, l'homme de fumée

Le philosophe Pilone

Guillaume Tell

Leuthold

그림자 없는 여자

Der Einarmige

Salome

5. Jude

파우스트

Wagner

Le moine

교활한 작은 여우

Fařar

화가 마티스

Riedinger

1. Soldat

노르마

Oroveso

삼손과 데릴라

Un Vieillard Hébreu

대성당에서의 살인

3. Sacerdote

탄호이저

Biterolf

발키리

Hunding

Gotterdammerung: Siegfried’s Death & Funeral Music

Hagen

로미오와 줄리엣

Frère Laurent

알치나

Melisso

Tristan und Isolde

König Marke

돈키호테

Don Quichotte

No role specified

돈 조반니

다프네

le curé, le blaireau

신데렐라

피델리오

Gregory Reinhart

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