Emanaldia kredituak
Datozen Emanaldiak Gaur Aurrera
Iraganeko emanaldiak 2020 — Atzo
Anna Bolena (Anne Boleyn), Donizetti
Ulm TheaterRiccardo Percy (Richard Percy)
Ikusi antzezle eta ekipoaOrpheus in der Unterwelt, Offenbach
Deutsche Oper am RheinMercure (Mercury)
Ikusi antzezle eta ekipoaLes contes d'Hoffmann (The Tales of Hoffmann), Offenbach
Ulm TheaterAndres (Andrès) + 3 rol
Ikusi antzezle eta ekipoaCavalleria Rusticana / Pagliacci, MascagniLeoncavallo
Ulm TheaterPeppe
Ikusi programa, aktoreak eta lantaldeakLa légende de Tristan (The Legend of Tristan), Tournemire
Ulm TheaterLe nain Frocin
Ikusi antzezle eta ekipoa-
Iraganeko emanaldi aipagarriak
Anna Bolena (Anne Boleyn), Donizetti
Ulm TheaterRiccardo Percy (Richard Percy)
Ikusi antzezle eta ekipoa
Orpheus in der Unterwelt, Offenbach
Deutsche Oper am RheinMercure (Mercury)
Ikusi antzezle eta ekipoa
Les contes d'Hoffmann (The Tales of Hoffmann), Offenbach
Ulm TheaterAndres (Andrès) + 3 rol
Ikusi antzezle eta ekipoa
Cavalleria Rusticana / Pagliacci, MascagniLeoncavallo
Ulm TheaterPeppe
Ikusi programa, aktoreak eta lantaldeakDatozen Emanaldiak
21Parsifal, Wagner, Richard
Ulm TheaterDritter Knappe (Third squire)
Ikusi antzezle eta ekipoaLessons in Love and Violence, Benjamin
Ulm TheaterBoy + 1 rol
Ikusi antzezle eta ekipoa
Biografia
Irish and English tenor Joshua Spink is quickly becoming known for his pleasing tone, his comfortable high register and his impressive acting ability on stage. As of the 2020/2021 season, Joshua is a member of the solo ensemble at Theater Ulm. Roles there this season include debúts as Count Almaviva from Rossini's Il barbiere di Siviglia and Vánja from Janáček's Katya Kabanowa as well as Monostatos in a concert performance of Mozart's Die Zauberflöte. Joshua grew up in Ireland and read Spanish and music in University College Cork before completing his Masters in Music in the DIT Conservatory of Music and Drama in Dublin with teachers Stephen Wallace and Sylvia O’Regan and répétiteur Mary Scarlett. During his time there he played the role of the First Elder in Handel’s staged oratorio
