Kaoru Watanabe

Artist

Approved

2019

Individual contributor id

include virtual contributors

Pianist

Instrumentalist

Violinist

Cellist

Violist

Clarinetist

Flautist

Percussionist

Guitarist

hornist

Organist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harp player

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Theorbist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Continuo

Vibraphonist

Cornettist

Viola d’amore Player

Synthesist

Composer

Conductor

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video

Dramaturge

Translator

Sound designer

Répétiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Chorus

Orchestra

Vocal coach

Poet

Teacher

Photographer

Broadcasting

Wig & Makeup Designer

Illustrator

Writer

Writing and performance

Chorus Director

Orchestra Operations

Extra

Countertenor

Singer

Baritone

Tenor

Bass-baritone

Soprano

Contralto

Mezzo-soprano

Bass

Spoken

Child vocalist

Silent

Alto

Michi Wiancko discusses her journey from violinist to composer and the process of writing her first opera, “Murasaki’s Moon,” based on the 11th-century Japanese novel “The Tale of Genji”
and written in collaboration with librettist Deborah Brevoort. 

“Murasaki's Moon” earned On Site Opera a 2018 Commissioning Grant for Female Composers. The grant was awarded through OPERA America’s Opera Grants for Female Composers program, which is funded by the Virginia B. Toulmin Foundation. Since its inception in 2013, the program has awarded nearly $1 million to support the development of operas by women.

To learn more about OPERA America's Granting programs, visit operaamerica.org/grants

Murasaki's Moon Wiancko

Kaoru Watanabe

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