Kindra Scharich / レビュー

Thus, between the wealth of physical comedy of dalliance and Pallavicino’s abundance of engaging music, the duration of the entire program proceeded at a spirited clip, resulting in an audience leaving the ODC Theater in high spirits.

Ars Minerva’s Messalina was steamy, tuneful, and above all imaginative

Delightful Ars Minerva production

My idea of heaven is a Baroque opera where all the leading roles call for voices in the mezzo-soprano or contralto range; watching Ermelinda I was in a state of sheer bliss. The latest discovery of Ars Minerva director Céline Ricci, Ermelinda may have been the group's best production yet. [...] Ermelinda was a triumph.

Outstanding and delightful... a useful reminder of the operatic riches that remain yet uncovered beyond the constant revivals of Traviata and Bohème

The breadth of Bay Area musical talent was on full display here and the diversity of sound was impressive

Ars Minerva’s sophomore outing on May 21–22, Carlo Pallavicino’s The Amazons in the Fortunate Isles, promises an equally satisfying excavation of a Venetian tragicomedy. Bursting with catastrophe, innuendo, blatant lies, sex, humor and, first and foremost, excellent music, Amazons has not been seen since its premiere in 1679.

A Conversation with Ars Minerva’s Céline Ricci