Name: La Belle Hélène Offenbach
Uploaded: 2022-03-11T08:50:56.000Z

Land Berlin

Berlin

Website

Germany

Berlin, Germany

Komische Oper Festival

Festival

Approved

Sourin Saha

‎ OPÉRA BOUFFE IN THREE ACTS (1864) Text by Henri Meilhac and Ludovic Halèvy German by Simon Werle Monty Python à la française – this is Jacques Offenbach, the father of operetta and master of wacky musical theatre. In his opulent production, Barrie Kosky shows what the ensemble of the Komische Oper Berlin has in addition to great voices in terms of stunning playfulness. Sparta is also no longer what it used to be: the offerings leave a lot to be desired in terms of quality, and among the good old gods only love goddess Venus enjoys unbroken popularity. Queen Helena, a very fateful diva, is honestly bored with her husband Menelau, when an enigmatic – and outrageously good-looking – shepherd snows in, who, oh fateful coincidence, turns out to be a goddess beauty contest juror Paris. How good that Chief Priest Kalchas helps fate a little and helps Helena and Paris to a dreamlike night, which is disturbed by Menelaus in the most sensitive way. But what does he have to return home from his business trip completely unannounced?! – not only finds Helena, but soon also scrambles the people in the choir. Menelaus orders a joint summer retreat, but what to do: When Venus takes its toll, man is only a pawn of the gods! In Jacques Offenbach's fast-paced, brilliant antique travesty, the so-called common sense is lifted from the rotten hinges according to all the rules of art. Directed by Barrie Kosky, the melodies, legs and dialogues swirl around eyes, brains, and ears and, of course, around the undisputed center of the action: the beautiful Helena.‎

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La Belle Hélène Offenbach

Die schöne Helena | Einsingen Paris | Komische Oper Berlin

‎Train in the Savoy! D-Zug Daisy Darlington makes a stop at Berlin Central Station with »Ball im Savoy«. » It's so nice to go for a stroll in the evening« from »Ball im Savoy«, sung by Katharine Mehrling.Opera meets city and vice versa. In the pop-up opera, selected scenes from our current opera repertoire are carried into urban backdrops in Berlin's neighbourhoods in order to get into conversation with the inhabitants in advance and afterwards about what they have seen, heard and experienced. The performances in everyday life are accompanied by a film team and made available to a broad public as short video clips via social media channels

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