Malcolm Martineau / Рецензии

The drama of this music, is truffled with declamatory overtones, and does not represent any problem for our baritone, except in the high range, not liking how it resolves these moments: with a shouted, narrow voice -high larynx-, fixed and bland, with stridencies far from what we understand as an expressive device, although the artist probably "sells" that this is his intention. Reisebuch aus den Österreichischen Alpen , is a very valuable work, which we like very much. We had already heard it at the March Foundation, in January 2015, in the Cycle Los antimodernos, also with Boesch as the protagonist -in a version a few points more restrained in drama, much slower, more sung and less declaimed-, accompanied in that occasion by Roger Vignoles. Although we prefer the 'in medium, virtus', counting on the plus of the greatest drama applied on this occasion, which is also good for the piece, it is not surprising that the audience cheered both interpreters with volleys of applause and shouts of ¡ Bravo, bravi !, for the interpretive effort and the dramatic emptying that these interpreters managed to achieve and that -of course- reached all the seats of the Teatro de la Zarzuela. Like all good Cycle completed well, no tip was offered, as we understand it should be done.