Emanaldia kredituak
Datozen Emanaldiak Gaur Aurrera
Iraganeko emanaldiak 1996 — Atzo
Marc Albrecht Stefan Dohr, Strauss
Oslo PhilharmonicConductor
Ikusi programa, aktoreak eta lantaldeakDon Quixote, Strauss
The Calouste Gulbenkian FoundationConductor
Ikusi programa, aktoreak eta lantaldeakBeethoven Strauss, BeethovenStrauss
Opernhaus ZürichConductor
Ikusi programa, aktoreak eta lantaldeakIraganeko emanaldi aipagarriak
Marc Albrecht Stefan Dohr, Strauss
Oslo PhilharmonicConductor
Ikusi programa, aktoreak eta lantaldeak
Don Quixote, Strauss
The Calouste Gulbenkian FoundationConductor
Ikusi programa, aktoreak eta lantaldeak
Datozen Emanaldiak
35Konzerthausorchester Berlin, Marc Albrecht, JostStrauss
Konzerthaus BerlinConductor
Ikusi programa, aktoreak eta lantaldeakWiebke Lehmkuhl, contralto · Orquesta de Valencia, ChinMahlerBrahms
Palau de la MúsicaConductor
Ikusi programa, aktoreak eta lantaldeakMarc Albrecht, Jörgen Van Rijen & NSO, Pei-Cheng ChuTakemitsuPärtFranck
National Symphony Orchestra TaiwanConductor
Ikusi programa, aktoreak eta lantaldeakBruckner Focus Concerts: 200th birth anniversary, BrucknerBruch
Armenian National Philharmonic OrchestraConductor
Ikusi programa, aktoreak eta lantaldeakClubconcert Met Soe Nsuki, StraussBerg
Antwerp Symphony OrchestraConductor
Ikusi programa, aktoreak eta lantaldeakStrauss’ ‘Also Sprach Zarathustra’, StraussBerg
Antwerp Symphony OrchestraConductor
Ikusi programa, aktoreak eta lantaldeakDer fliegende Holländer (The Flying Dutchman), Wagner, Richard
New National Theatre TokyoConductor
Ikusi antzezle eta ekipoaig.14:00
Tokyo, Japanaz.18:30
Tokyo, Japanlr.14:00
Tokyo, Japanaz.14:00
Tokyo, Japan
Biografia
Marc Albrecht is one of the most exciting conductors on the opera and concert scene today. He is in demand internationally as a conductor of the German-Austrian late Romantic repertoire from Wagner and Strauss to Zemlinsky, Schreker and Korngold, and also cultivates with conviction the entire spectrum from Mozart to contemporary music. Albrecht’s work with the orchestra is rooted in a chamber music approach; he loves and knows how to utilise the infinite sound possibilities of the large symphony orchestra, whilst simultaneously always allowing the sound to blend with the intimacy of the chamber orchestra. Even in the densely orchestrated symphonies of Bruckner and Mahler, Albrecht succeeds in an astonishing way in making the structure clear and letting the music breathe. With Marc Albrech
