Frammistaða áskriftir
Næstu sýningar Í dag áfram
Fyrri sýningar 1996 — Í gær
Don Quixote, Strauss
The Calouste Gulbenkian FoundationConductor
Skoða dagskrá, leikarahóp og mannskapSýndar fyrri sýningar
Don Quixote, Strauss
The Calouste Gulbenkian FoundationConductor
Skoða dagskrá, leikarahóp og mannskap
Næstu sýningar
35Konzerthausorchester Berlin, Marc Albrecht, JostStrauss
Konzerthaus BerlinConductor
Skoða dagskrá, leikarahóp og mannskapWiebke Lehmkuhl, contralto · Orquesta de Valencia, ChinMahlerBrahms
Palau de la MúsicaConductor
Skoða dagskrá, leikarahóp og mannskapMarc Albrecht, Jörgen Van Rijen & NSO, Pei-Cheng ChuTakemitsuPärtFranck
National Symphony Orchestra TaiwanConductor
Skoða dagskrá, leikarahóp og mannskapBruckner Focus Concerts: 200th birth anniversary, BrucknerBruch
Armenian National Philharmonic OrchestraConductor
Skoða dagskrá, leikarahóp og mannskapClubconcert Met Soe Nsuki, StraussBerg
Antwerp Symphony OrchestraConductor
Skoða dagskrá, leikarahóp og mannskapStrauss’ ‘Also Sprach Zarathustra’, StraussBerg
Antwerp Symphony OrchestraConductor
Skoða dagskrá, leikarahóp og mannskapDer fliegende Holländer (The Flying Dutchman), Wagner, Richard
New National Theatre TokyoConductor
Skoða leikara og mannskapsun14:00
Tokyo, Japanmið18:30
Tokyo, Japanlau14:00
Tokyo, Japanmið14:00
Tokyo, Japan
Æviágrip
Marc Albrecht is one of the most exciting conductors on the opera and concert scene today. He is in demand internationally as a conductor of the German-Austrian late Romantic repertoire from Wagner and Strauss to Zemlinsky, Schreker and Korngold, and also cultivates with conviction the entire spectrum from Mozart to contemporary music. Albrecht’s work with the orchestra is rooted in a chamber music approach; he loves and knows how to utilise the infinite sound possibilities of the large symphony orchestra, whilst simultaneously always allowing the sound to blend with the intimacy of the chamber orchestra. Even in the densely orchestrated symphonies of Bruckner and Mahler, Albrecht succeeds in an astonishing way in making the structure clear and letting the music breathe. With Marc Albrech
