Рецензии на предишна постановка
12In der Hauptpartie überzeugt Anna Alàs i Jove sowohl schauspielerisch als auch mit sängerischer Ausstrahlung.
The leading team had already staged four Mozart operas in Linz in recent years. The jubilation and the expected standing ovations were mainly for the musical side. Already with the overture, Markus Poschner showed his unquestionable competence for Mozart - with a beaming face and animating gestures for the ladies and gentlemen of the Bruckner Orchestra Linz, who for their part proved their professional quality right from the start. Already the first applause had frenetic quality. Poschner also understands how to accompany and reinforce the soloists to lead them to special performances. All roles could be satisfactorily to excellently cast by members of the ensemble.
»Hervorragend besetzt war außerdem der Orest mit der prachtvollen Bassbaritonstimme von Derek Welton, übrigens dem designierten Wotan im – hoffentlich doch noch zu realisierenden – neuen ›Ring‹ an der Deutschen Oper Berlin.«
‘Welton takes the prize for the most pregnant diction of the evening, and together with a substantial and effortless bass-baritone, can claim an auspicious debut.’
