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GENNADI, WHO IS OF UKRAINIAN BACKGROUND, DELIVERS A STUNNING PERFORMANCE THAT IS PIERCING IN ITS OPENNESS AND VULNERABILITY.

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24 maí 2018GLENN SUMI, NOW TORONTO

As Oksana G "...this is an involving, important work featuring some very fine performances, with soprano Gennadi giving a star-making turn in the lead."

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24 maí 2018Catherine Kustanczy, Toronto Star

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1
La Bohème, Puccini
D: Valerie Kuinka
C: Philip Morehead
Review: Highlands Opera Studio 1940s La Bohème much more than an operatic warhorse

Max Van Wyck was a vocally rich Marcello—his acting and facial expressions were on point. Van Wyck’s and Rupolo’s sensitive vocal phrasing and blending in the duet “O Mimì tu più non torni” was a highlight of Act IV. Micah Schroeder was a gregarious Schaunard who enhanced the comedic scenes in the garret. Chelsea Rus sparkled as Musetta and was simply delightful to watch in Act II. Brenden Friesen was an excellent Colline in both casts—his “Coat Aria” showcased a powerful and sonorous bass tone. He also has a commanding stage presence making him a singer to watch in the future.

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operacanada.caDawn Martens