Предстоящи изпълнения Днес нататък
Минали изпълнения 2012 — Вчера
Die Zauberflöte (The Magic Flute), Mozart
Theater BremenDritte Dame (Third lady)
Преглед на артистите и постановъчната трупа-
Il barbiere di Siviglia (The Barber of Seville), Rossini
Theater BremenBerta
Преглед на артистите и постановъчната трупаDon Carlo, Verdi
Theater BremenLa Principessa Eboli (Princess Eboli)
Преглед на артистите и постановъчната трупаJenůfa (Jenufa), Janáček
Theater BremenStařenka Buryjovka (Old Buryjovka) + 1 роли
Преглед на артистите и постановъчната трупаDie Zauberflöte (The Magic Flute), Mozart
Theater BremenDritte Dame (Third lady)
Преглед на артистите и постановъчната трупа-
Die Zauberflöte (The Magic Flute), Mozart
Theater BremenDritte Dame (Third lady)
Преглед на артистите и постановъчната трупа-
Don Carlo, Verdi
Theater BremenLa Principessa Eboli (Princess Eboli)
Преглед на артистите и постановъчната трупаJenůfa (Jenufa), Janáček
Theater BremenStařenka Buryjovka (Old Buryjovka) + 1 роли
Преглед на артистите и постановъчната трупаDie Zauberflöte (The Magic Flute), Mozart
Theater BremenDritte Dame (Third lady)
Преглед на артистите и постановъчната трупа-
Lyubov k tryom apelsinam (The Love for Three Oranges), Prokofiev
Theater BremenPrinzessa Clarice (Princess Clarice) + 1 роли
Преглед на артистите и постановъчната трупаThe Swiss mezzo-soprano Nathalie Mittelbach, nominated by the magazine "Opernwelt" for young artist of the year in 2020, received her first musical training at the Musik-Akademie Basel. She studied with Prof. Dr. Edith Wiens in Germany and at The Juilliard School in New York. Various master classes with Helmut Deutsch, Malcolm Martineau, Joyce DiDonato, Renée Fleming, Anne Murray and others offered the opportunity to deepen their studies. Nathalie Mittelbach was a member of the opera studio "OperAvenir" at the Theater Basel and is currently a permanent member of the ensemble at the Theater Bremen, where she works on the major roles in her field, including Octavian in Strauss' "Der Rosenkavalier", Charlotte in Massenet's "Werther", Sesto in Mozart's " La clemenza di Tito» et al. In additio