Datozen Emanaldiak Gaur Aurrera
Iraganeko emanaldiak 1997 — Atzo
Semyon Bychkov: Mahlers Sinfonie der Tausend, Mahler
NDR Elbphilharmonie OrchesterPater Profundus (Bass)
Ikusi antzezle eta ekipoaRoméo et Juliette (Romeo and Juliet), Gounod
The Metropolitan OperaComte Capulet (Count Capulet)
Ikusi antzezle eta ekipoaKarina Canellakis conducts Haydn and Bartók with Alisa Weilerstein, HaydnBartók
Boston Symphony OrchestraA kékszakállú herceg (Bluebeard)
Ikusi programa, aktoreak eta lantaldeakSemyon Bychkov: Mahlers Sinfonie der Tausend, Mahler
NDR Elbphilharmonie OrchesterPater Profundus (Bass)
Ikusi antzezle eta ekipoaRoméo et Juliette (Romeo and Juliet), Gounod
The Metropolitan OperaComte Capulet (Count Capulet)
Ikusi antzezle eta ekipoaKarina Canellakis conducts Haydn and Bartók with Alisa Weilerstein, HaydnBartók
Boston Symphony OrchestraA kékszakállú herceg (Bluebeard)
Ikusi programa, aktoreak eta lantaldeakDas Rheingold (The Rhinegold), Wagner, Richard
Theater BaselWotan
Ikusi antzezle eta ekipoalr.19:00
Basel, SwitzerlandDie Walküre (The Valkyrie), Wagner, Richard
Theater BaselWotan
Ikusi antzezle eta ekipoaig.17:00
Basel, SwitzerlandDas Rheingold (The Rhinegold), Wagner, Richard
Theater BaselWotan
Ikusi antzezle eta ekipoaal.19:00
Basel, SwitzerlandDie Walküre (The Valkyrie), Wagner, Richard
Theater BaselWotan
Ikusi antzezle eta ekipoaar.18:00
Basel, SwitzerlandDas Rheingold (The Rhinegold), Wagner, Richard
Theater BaselWotan
Ikusi antzezle eta ekipoalr.19:00
Basel, SwitzerlandDie Walküre (The Valkyrie), Wagner, Richard
Theater BaselWotan
Ikusi antzezle eta ekipoaig.17:00
Basel, SwitzerlandHamlet, Thomas
Opéra de MontréalClaudius (King Claudius)
Ikusi antzezle eta ekipoaGrammy, Juno and Echo Award winner Nathan Berg continues to captivate audiences around the world with his “oaken” (Financial Times), “solid, communicative” (New York Times), “dark-chocolate” (Vancouver Courier) “first-class voice” (Boston Globe) and as a “brilliant actor and a palpable presence on stage” (Financial Times). “A miracle of vocal ease and theatrical characterization” (ResMusica), “his technique is impeccable” (Opera News) and he possesses “a voice not only powerful and full of meaning, but of such velvet beauty” (The Times). With a repertoire that widely encompasses music from five centuries and an expansive discography, his ever-evolving career continues to grow from strength to strength. Nathan begins and ends an exciting 23/24 season as Wotan in Wagner’s Das Rheingold and