Emanaldia kredituak
Datozen Emanaldiak Gaur Aurrera
Iraganeko emanaldiak 2014 — Atzo
FLOUZ, GlassEastman, J.Adams, J.
Théâtre du ChâteletStage director
Ikusi programa, aktoreak eta lantaldeakLe voyage dans la lune (A Trip to the Moon), Offenbach
Théâtre du PassageStage director
Ikusi antzezle eta ekipoaLe voyage dans la lune (A Trip to the Moon), Offenbach
Festival Palazzetto Bru Zane à ParisStage director
Ikusi antzezle eta ekipoa-
Watch, VariousZender
Théâtre du ChâteletStage director + 2 rol
Ikusi programa, aktoreak eta lantaldeakIraganeko emanaldi aipagarriak
FLOUZ, GlassEastman, J.Adams, J.
Théâtre du ChâteletStage director
Ikusi programa, aktoreak eta lantaldeak
Le voyage dans la lune (A Trip to the Moon), Offenbach
Théâtre du PassageStage director
Ikusi antzezle eta ekipoa
Le voyage dans la lune (A Trip to the Moon), Offenbach
Festival Palazzetto Bru Zane à ParisStage director
Ikusi antzezle eta ekipoa-
Datozen Emanaldiak
12L'Orfeo (Orfeo), Monteverdi
Monteverdi FestivalStage director
Ikusi antzezle eta ekipoaIl combattimento di Tancredi e Clorinda (The Combat of Tancredi and Clorinda), Monteverdi
MusikTheater an der WienStage director
Ikusi antzezle eta ekipoaSarrera bideo laburra
3
Die Massnahme / La Décision BRECHT-EISLER
Biografia
https://www.olivierfred.com British and French, Olivier Fredj studied British Literature, drama and music. Coordinator of social projects in Europe and South Africa, he then worked as a cultural journalist before attending the Studio Théâtre d’Asnières. As a Stage Manager he worked with Adrian Noble, John Eliott Gardiner, Jonathan Kent/William Christie... He assists Robert Carsen, at the Chatelet with My Fair Lady (directs the revival at the Mariinski) and Singin’ In the Rain, (revived at the Grand Palais), in Aix en Provence with Rigoletto (revival in Geneva and Bolchoï theatre) and on the Magic Flute by Simon McBurney. At the Théâtre du Châtelet, he collaborates with Lee Blakeley, Fanny Ardant, and revives The Sound of Music (Emilio Sagi). In 2015, he directs Il Re Pastore by W.A M
